Rice, Fish, Noodle: Deep Travels through Japan’s Food Culture by Matt Goulding

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My passion for food and travel began with Anthony Bourdain.  After watching his show No Reservations, I knew I wanted to see the world, eat where the locals eat, and not fall for tourist traps. Anthony Bourdain invested in this book and was the driving force behind its publication. Any book that has his blessing is one I’m interested in.

Rice, Noodle, Fish is written by Matt Goulding, co-author of the Eat This, Not That! book series, which serve as a guide to help people select healthier options at the grocery store and restaurants. He is also a writer for Roads & Kingdoms, a website dedicated to informing people about travel, food, and politics.

This book takes readers on a journey through Japan. Each of the seven chapters focuses on a different region and what makes it unique. Combining travel guide, history, and storytelling, Rice, Noodle, Fish sets out to paint a picture of the complex world of Japanese culture and cuisine. The color photographs add another level of beauty to an already-captivating book.

Rice is the main staple in Japan, served with most meals. When people think of sushi, the first thing considered is fish, but what truly makes good sushi is the rice. In the first chapter, Tokyo, we meet Koji Sawada, a sushi master. There is a concept of shokunin, an artisan or master in one’s profession, that is deeply embedded into Japanese culture. Sawada is the epitome of shokunin. He wakes up early to pick out his fish, has spent years perfecting the ideal temperature to serve each fish, only serves six people for lunch and six at dinner, and ends the day by scrubbing the countertop of its accumulated fish oils. In all, working eighteen-hour days, six times a week. It takes practice, dedication, and kimochi (feeling) to become a sushi master.

Noodle varieties of Japan go far beyond the basic ramen that immediately comes to mind. There are udon, soba, and somen, to name a few. Udon are thick white noodles that can be enjoyed chilled or warm; soba noodles are made from buckwheat and wheat flour, served cold or in hot soup; somen noodles are made from wheat flour and usually served chilled. In Fukuoka, however, ramen is king. There, ramen isn’t just a cheap meal to be taken lightly — it’s an identity, and Fukuoka is home to over 2,000 ramen shops. The complex level of flavor that goes into ramen include tare (seasoning base), broth, noodles, and toppings. So, next time you make ramen, throw the little flavor packet away (the sodium content is atrocious anyway) and opt for more traditional ingredients. Use a homemade broth, and top it with green onions, a poached egg, soy sauce, sesame oil, or Sriracha — there are no rules or limitations.

Fish is important to Japan. Being an island nation, Japan takes advantage of the abundant sea life found nearby. Hokkaido, the northernmost prefecture of Japan, has some of the best fish markets in the world. Though some of the seafood stays in Hokkaido, much is shipped to Tokyo, fetching top dollar because of the high quality of the fish. Other seafood enjoyed in Hokkaido include King Crab, Snow Crab, scallops, eel, and uni, or sea urchin. In addition to being known for seafood, Hokkaido has experienced a flourish in wine production as the terrain and weather provide perfect conditions. Featured winemaker Takahiko Soga doesn’t want to imitate California Reds or Italian whites, which don’t pair well with traditional Japanese foods. So much of the of Japanese palate relies on subtly and region, and Soga aims to produce wines which complement the traditional foods and flavors of Hokkaido.

While reading this book, it’s important to consider the political and cultural impacts of food, not just in Japan, but for the entire world. Factors that affect what a culture consumes include seasonality, climate, who settled the area, income levels, and what foods are native to the area. One of the best ways to learn about people and their culture is from the food they eat. Rice, Noodle, Fish does a wonderful job at providing insight into the different regions of Japan, the history of food there, and how traditions are carried on.

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Come With Me by Helen Schulman

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I’m a sucker for alternate universe stories. Exploring “what if” questions is just so much fun. “What if” can range from the small to grand questions of life. What if I hadn’t made that left turn? What if I had taken that job? What if I had moved to Seattle? I was really excited to see a book exploring “what ifs” and decided to give COME WITH ME a read.

Amy is a busy mom of three boys, struggling to keep the family financially afloat while her unemployed husband spends his time on Twitter. Amy’s twice-daily runs help her feel grounded and give her time to think. And, sometimes, she thinks about “what if” questions. What if she had stayed with her boyfriend, Eric? What if she didn’t have to work for her best friend’s son? What if her daughter had lived?

Not-so-luckily for Amy, she works for Donny. He is the son of Amy’s best friend, which often results in awkward situations for Amy. Donny takes advantage of the near-familial relationship to drop in at Amy’s home or pout his way into getting what he wants at work. (If there’s one person I felt truly bad for while reading this book, it’s Amy.)

Donny has come up with a way to use algorithms to analyze a person’s life. Using virtual reality goggles, a person can experience what would happen if they had made a different decision in the past. No time travel or wormholes needed, just a computer program. And because he can, Donny makes Amy the first test subject.

Her first experience is horrifying. Over and over, she watches an event unfold wherein one of her sons is hit — or almost hit — by a car. As awful as the experience is, Amy finds herself unable to say no when Donny asks her to use the VR goggles again.

Meanwhile, her husband, Dan, decides to run away to Japan. He’s following Maryam, a fellow journalist with whom he has fallen in love. As they travel to Fukushima to interview a man living in the radioactive ruins, Dan is exhilarated by the idea that he has done something so adventurous, just like the journalists he follows on Twitter.

A crisis brings all the characters together, along with the weight of the decisions they have — and haven’t — made. Though both Amy and Dan are searching for an emotional connection, they don’t find it with each other. They’re both so interested in “what if” that they stop seeing what’s right in front of them.

While this is surely a book about the “what if” questions in life, Schulman spends very little time actually exploring the possible alternatives. Instead, the book is more about dealing with those “what ifs” in everyday life. Amy is too busy being a mother to all the men in her life to spend much time pondering alternate lives. Dan takes the plunge and actually steps into the world of the “what if” by running away to Japan with Maryam. But will either of them find what they’re looking for?

Schulman doesn’t stick to telling the story just through main characters. Amy and Dan are the two characters around whom most of the action takes place. Some sections are told from the point of view of minor characters, which can be distracting from the main story. However, Schulman does an excellent job giving each character a unique voice. Dan’s ADD shines through in rambling, long paragraphs that change subject frequently. Amy’s thoughts revolve around all of the things she has to take care of: lunches, kids, work, money, laundry, and more.

To be honest, when I first read the synopsis for Come With Me, I expected a heavy science fiction novel, exploring alternate universes and missed opportunities. I was slightly wrong in that assumption. While the book is actually fairly light on sci-fi elements, it’s certainly heavy. And though the characters don’t travel throughout the multiverse, they do spend a lot of time with the weight of their choices.

Sometimes, life doesn’t turn out how we expect. That doesn’t mean it’s any less good that the “what if” worlds we can dream up. It’s important to remember that we can’t change the past, but the future is up to us.

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Book review by: Leslie Hayes

April Fool’s Day Shenanigans

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Letters from a Nut by Ted L. Nancy

Sir John Hargrave’s Mischief Maker’s Manual by John Hargrave

Spooked!: How a Radio Broadcast and The War of the Worlds Sparked the 1938 Invasion of America by Gail Jarrow

April Fool’s Day is one of my favorite holidays.  It’s shenanigans of the highest order and delicious entertainment when practiced appropriately.  Half of the fun is planning–brainstorming ideas, choosing a “recipient”, fleshing out details, gathering supplies, lying in wait.  Small-scale or grand in scope, there’s nothing like a well-executed April Fool’s joke.

What happens when you spread your prankish master plan across the country?  Read Letters from a Nut by Ted L. Nancy to discover the possibilities.  Both the title and author have a ring of bogusness to them and for good reason.  They are the products of comedian Barry Marder who in the mid-1990s mailed many, many fake (and hilariously bizarre) customer service letters across the world to corporations, magazines, entertainers, universities, government officials, airlines, hotels, casinos, sports teams (to name just a few).  The original letters and any responses were collected into a book popular enough to spawn 6 sequels. (Yes, that’s right–6 volumes of side-splitting, asinine letters accompanied by replies from their perplexed recipients.)

Some of my favorites are the silliest letters or the least expected replies.  Nancy offers himself to Ringling Brothers and Barnum & Bailey Circus describing a ludicrous, one-man show; the circus calls his bluff and asks for video submission.  A letter to the Ritz-Carlton Hotel warns of an upcoming business meeting with Nancy dressed as a ripe banana; the hotel’s polite reply references its formal dress code.  Even the King of Tonga isn’t spared (see the book’s final entry). Letters from a Nut, like comedy in general, is better enjoyed at face value rather than dissected.  Read this out loud, as suggested in its introduction. It’s most easily accessible for an adult audience primarily for the sense of humor and generationally-dated references and to a smaller extent for content.  Otherwise, you might try the title on a high school student who enjoys dry humor in historical context.

Sir John Hargrave’s Mischief Maker’s Manual claims “this book is so awesome it is illegal in 13 states”.  Whether you buy that or not, it is a prankster’s dream!  Written and arranged in the style of a D.I.Y. manual, it groups practical joke ideas by mischief level and subject matter (“Classic Capers”, “Bathroom Basics”, “Startling Contraptions”, “Surprise Food”, “Experts Only”).  Each entry includes description and instructions for the prank, black-and-white illustrations, safety tips, along with a breakout box outlining supplies, budget, time, success rate, and “mischief level”. The text is aimed at an upper elementary/middle school audience but is easily enjoyed by high schoolers, adults, and evil genius types.

One of the manual’s best parts is its focus on humane pranking practices.  The author advocates for ethical joking in “The Prankster’s Code” which stresses avoiding self-harm, bullying, and property damage.  Caution boxes accompany each entry, and Hargrave addresses potential negative outcomes in the “Trouble” chapter including sections on “The Eight Steps of Confession” and “Worst Likely Scenario” (“if you’re unwilling to live with the worst likely punishment, then you shouldn’t do it”).  Despite the safety alerts, keep an eye out for some of the expert-level stunts calling for the use of dry ice or an air compressor.

With great pranking comes great responsibility.  Practical jokes–small or large–can fall flat or worse.  Spooked!: How a Radio Broadcast and The War of the Worlds Sparked the 1938 Invasion of America relates the nationwide panic caused by the infamous Mercury Theatre radio play.  (For folks unfamiliar with it, the play is a convincing adaptation of an H.G. Wells science fiction title describing a Martian invasion of Earth.)

Gail Jarrow, author of Spooked!, offers a fantastic examination of this collective freakout.  She presents a detailed account of the broadcast, its creation, and its reception along with background material on the major players and the original H.G. Wells work.  She places the event within historical context, explaining the national mindset at the time. Her research is top-notch, full of primary sources, and seamlessly translates to interesting, accessible prose.  The text is accompanied by a range of engaging illustrations–sepia drawings, period photographs, newspaper clippings, telegrams. Brightly colored spreads summarize the play and highlight quotes from letters reacting to the broadcast.  A festive timeline, resource links, source notes, and a thorough bibliography round out supplementary material. Jarrow neatly ties up the package in her final chapter describing mass hoaxes from the 19th century to today, cautioning readers about gullibility in the age of viral videos and social media.  This is fun non-fiction for middle school and high school students plus adults interested in history, hoaxes, or classic radio.

I’ll be enjoying the hijinks of our Middle School Book Club on April Fool’s Day, and I can’t wait to see what they have planned.  May your holiday contain just the right amount of shenanigans. Remember–please prank responsibly!

How To Invent Everything: A Survival Guide for the Stranded time Traveler

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Imagine time travel being a marketable business and time machines being rented to the general public. That can be a scary thought for several ethical reasons, but thanks to the FC3000™, plausibility turns into actuality. It is important to know that when time traveling to the past, your actions will not have any effect on the present you just left. By traveling back in time, you are creating a new timeline, and a whole new realm of possibilities. Sounds amazing! And with different travel guides such as 1001 Wacky Places to Shoot Adolf Hitler, the fun will surely never end. Note: I am not from the future, and am not sponsored by the FC3000™. Now imagine your state-of-the-art time machine breaks down and you are stuck in the past. However unlikely that can be, what would you do? Could you improve humanity? Ryan North’s How To Invent Everything: A Guide to the Stranded Time Traveler aims to help you answer this question, and then some.

First, you need to determine exactly what time period you are stuck in. With the help of a handy flow-chart, you can figure out if you will die soon, really soon, or, less likely, thrive in your new home. After figuring out whether or not you are in a suitable environment to advance humanity, you need to invent some things. Each chapter of How To Invent Everything goes through a basic skill or knowledge that humanity needs in order to survive. The first five chapters feature the five fundamental technologies needed for civilization, which are: spoken language, written language, numbers, the scientific method, and calorie surplus. Other chapters include developing symbiotic relationships with useful animals, how to invent music, and the major schools of philosophy summed up, using high-fives as examples.

The Appendix includes some other general information including universal constants (speed of light, speed of sound, Pi, etc), the frequencies of musical notes, gears and other mechanisms, and a guide to useful human body parts and what they do. There is also a ruler you can use to determine a standard unit of measurement. Now the United States (assuming you want to call it that) can finally adopt the metric system, if you so choose. Illustrations are also provided to make concepts more feasible.

While reading this book, I kept thinking about Douglas Adams’ Hitchhiker’s Guide to the Galaxy series. Ryan North’s sense of humor turns a terrifying scenario into an inspiring and mostly-harmless one. The information provided is valuable whether you’re stuck in the past or not. What amazed me was how well-researched this book was. Though it could be considered encyclopedic, information is condensed down and explained thoroughly, yet in a simple to understand way. How to Invent Everything was a wonderful journey and I feel a little more knowledgeable because of it. I am considering purchasing it so I can read sections at time, because it can be a lot to take in at once.

Ryan North has kept pretty busy throughout the years. He started as a computer programmer, graduating with a Master’s Degree from the University of Toronto. His first webcomic series, Dinosaur Comics, won fans over with its absurd humor. Within one of the Dinosaur Comics, a machine that tells people how they are going to die is mentioned. Fans of North started sending him stories set in this fictitious world, and eventually the anthology Machine of Death was created. The concept seems simple, put your finger in a device that takes a blood sample, then it spits out a piece of paper with a sometimes vague explanation of how you will die. An example: a person gets excited to see “old age” as the cause of death and they prepare to live a long, healthy life — only to get hit by a car driven by an elderly person. To Be Or Not To Be is a choose your own adventure set in the world of Hamlet. High School teachers all across America should add this hysterical adaptation to their curriculum, after going through the original. It could help teens connect with Shakespeare better. Ryan North has also written the comic book series Adventure Time, and The Unbeatable Squirrel Girl.

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Finding Langston by Lesa Cline-Ransome

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This February, I challenged myself to read all of the Coretta Scott King Author Award winners and honorees in the Joplin Public Library’s Children’s Department. I ended up reading two out of three, but they were both excellent.

If you are unfamiliar with this award, let me quickly explain: The Coretta Scott King Award is bestowed by the Ethnic and Multicultural Information Exchange Round Table of the American Library Association. Each year, the group awards and honors authors, illustrators and titles “for children and young adults that demonstrate an appreciation of African-American culture and universal human values.”

The first award-winning book I read last month was LESA CLINE-RANSOME’s slim but powerful novel, “FINDING LANGSTON.” This middle-grade novel follows a young black boy named Langston who is looking for fulfillment in Great Migration-era Chicago. After his mother, to whom he was very close, dies, Langston and his dad move from Alabama to Chicago in search of more opportunity. Langston is lonely; he’s never been especially close to his father, he misses his extended family, and his classmates bully him and call him “country boy.” But when he walks into the large, foreboding library in his neighborhood for the first time, he finds solace in the words of great black writers, including Langston Hughes.

Although he doesn’t know for certain, he has a hunch that he was named after the Black Renaissance poet. Meeting Hughes this way feels like kismet; not only do his words act as a balm during a challenging time for the young boy, but they allow him to learn more about the things his mother loved while she was still living.

It can be difficult to accurately convey the power of reading, but Cline-Ransome transmits this message exceptionally well. “Finding Langston” also emphasizes the transformative effects of media representation. Langston struggles with his self-worth when he moves north. His classmates think he’s uneducated, he doesn’t have any friends, Chicago feels like a foreign country, and he has a very tenuous relationship with his loving but distant father.

When he steps foot in his local library — something he couldn’t do in the Jim Crow South — he can’t believe that everything is free and that black people aren’t just allowed but honored there. Through books by authors such as Langston Hughes, a man whose journey north somewhat resembles young Langston’s own experience, Langston makes friends, begins building a relationship with his father and discovers his self-worth.

It can be difficult to imagine how magical it feels to see yourself in a book for the first time when you have never had to look far. As a white person, I can find someone who looks like me on virtually any shelf in any library. Through Langston’s compelling story and authentic voice, Cline-Ransome provides all readers with the opportunity to experience some of the magic Langston feels when he first walks into the big, fancy building on Wabash Street and sits down with a book of Hughes poems.

The other two author honorees, which were announced in January, included Varian Johnson’s “The Parker Inheritance” and “The Season of Styx Malone” by Kekla Magloon.

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The Burglar by Thomas Perry

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Thomas Perry’s latest novel, The Burglar, has many of the elements I enjoy in a novel. A smart interesting character, action, and mystery in a story that pulls me in and keeps me turning pages.

Mystery and suspense novels are some of my favorites. I like having something that keeps me thinking and I like that the ‘good guys’ usually win. However, in this novel the ‘good guy”, Elle Stowell, is a thief. She’s smart, daring, meticulous and robs homes for a living.

Elle is pretty, small in size and keeps herself in excellent shape. From her appearance to the cars she drives, Elle fits in to the neighborhoods she burglars. Part of her fitness routine is running and she uses daily runs in affluent areas to find her targets.

Elle needs cash and her last job netted her only some nice jewelry before the police showed up. Despite her close call she heads out the next day to find another target. Once she picks a house, a second look convinces her no one is home and she enters through the attic.

The halls are full of fine art but Elle knows she can’t sell art. The master bedroom is the place she will most likely find what she wants. What she discovers is three dead bodies and a running camera that may have filmed the murder and now Elle. Knowing she can’t be caught on camera, she takes the camera and exits the way she came in.

After watching the video and being pretty sure she cannot be identified, Elle makes copies of the full recording from the memory card. After hiding the 3 copies she puts the memory card back in the camera and erases the end starting just before she entered the bedroom.  

Elle’s a thief and the police are not her friends but this is a triple homicide. She returns to the house and puts the camera back where she found it. She was quick but as she is leaving the police arrive but she manages to get out undetected.

Her civic duty done, Elle is back home but she still needs cash. She doesn’t like to work at night but heads out to a house she had previously worked up. On her way she cruises by the murder house out of curiosity. The job is successful but when leaving she senses someone close. As a precaution she loops a long way around to get back to her car. She makes it safely but soon realizes she’s being followed.

With good driving and some luck, she manages to lose the black SUV tailing her. Did the police spot her when she cruised by the murder house or is it someone else? At her friend Sharon’s urging, Elle agrees they should leave town until things die down. To do that Elle needs to sell some of her acquired merchandise.

The trip to Vegas gets her the money she needs but she now has two vehicles tailing her. Also, two men and a woman have been visiting her favorite hangout place asking about her. In her effort to evade the people looking for her, Elle inadvertently exposes Sharon to a cold-blooded killer.

This can’t be the police so who is hunting Elle? Leaving town is no longer an option. Elle has to find out who murdered the three dead people she discovered and why. She’ll have to use all the skills she’s honed as a thief to find the killers before she becomes the next victim.

The novel builds momentum quickly and for the first two thirds is hard to put down. The action slows as Elle searches for and finds the who but it picks up again as Elle takes a huge risk to pull together the why. The library has this title in both regular and large print editions.

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I Am Behind You by John Ajvide Lindqvist

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I’m a horror fan. Well, a lightweight horror fan. I much prefer horror stories I can explain away so I can sleep at night. If I haven’t watched a haunted videotape, the ghost can’t possibly get to me. Right? Right?! So when I heard John Ajvide Lindqvist, author of the vampire novel Let the Right One In, had published a new horror novel called I Am Behind You, I had to give it a read.

On a peaceful morning in the Swedish countryside, four families wake to discover they’ve been transported from their campground to a grassy plain with no landmarks, trees, animals, or cell phone reception. The group, made up of wildly different people, must figure out how to survive long enough to escape. As they try to find a way out, the group discovers that the peaceful countryside they’ve been transported to is full of danger.

Donald is quick-tempered and obsessed with firearms, while his wife Majvor is even-tempered and kind. Will Donald snap and kill someone? Stefan, Carina, and their son Emil appear to be an average family, but Carina’s past haunts her.. Lennart and Olaf are just two guys on a camping trip. They may seem like normal farmers, but there may be more to them than it seems. Finally, Peter, Isabelle, and their daughter Molly certainly seem like the perfect family, but there is something darker underneath. The secrets carried by each group member threaten to destroy everyone.

With no apparent escape available, the group turns to survival. They pool resources and try to explore their surroundings. They begin to encounter strangers in the strange countryside, but you can probably guess that these strangers are dangerous. As with many horror books, it’s difficult to write about the events of the story without spoiling it. The dangers that begin to surface are nothing, however, compared to the dangers the group members pose to each other.

As is also frequently the case, there are questions that simply aren’t answered. Where is the group actually at? How did they get there? What in tarnation is going on?! There’s plenty of content to analyze in any literature course.

Though some aspects of the story didn’t quite hit home, they seemed to stem from cultural differences. For instance, the songs of Peter Himmelstrand feature prominently in this novel. (In fact, the novel’s original title is Himmelstrand.) For whatever reason, the only songs that play on the campers’ radios are songs written by Himmelstrand, who was a popular Swedish songwriter in the 1960s and 70s. Perhaps if I knew more about Himmelstrand and his place in Swedish pop culture, this plot point in the book would make more sense to me.

I still really enjoyed the book. The characters were very well-written; I hated who I was supposed to hate, which is a huge hallmark of effective characterization for me. Perhaps my favorite character is Benny, a beagle. Several portions of the story are told from Benny’s perspective. Lindqvist doesn’t get overly sentimental when writing from the perspective of Benny, which helps make this viewpoint feel more realistic than other fictional animals I’ve read.

A little bit of research revealed that there are two other books that are part of this universe Lindqvist has created. Maybe, if those are translated into English, I’ll get some resolution to the bigger questions I have about what happens throughout the pages of I Am Behind You.

Overall, this was a really good read. I only needed two nights to get through it, which is pretty quick for a book that runs just over 400 pages. If you’re looking for a tense, scary read, I Am Behind You is probably right for you. I’ll definitely be keeping my eyes peeled for the translations of the two follow-up books in Lindqvist’s series.

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Book review by: Leslie Hayes

What the Night Sings by Vesper Stamper

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Book review by Beth Snow

 

Coming of age stories are the bread and butter of books written for teen audiences.  They appear in a wide variety of formats, both fiction and non-fiction. Like people, they come in all shapes and sizes–which makes it more likely that readers will find a story that fits.  For teens trying to find their place in the world, it can make all the difference. Today’s title is more than just historical fiction or an object lesson; it describes a painful path to identity.

In What the Night Sings, author Vesper Stamper raises and answers the question, “When all is stripped away, who am I?”  Through her main character, Gerta Richter, she shows (in words and images) what remains of identity after a harrowing journey.  Teenage Gerta lived a life sheltered in beautiful music and in her father’s love until the Nazis came one night and put them in a cattle car bound for a concentration camp.  Only when her father’s story unfolded on the train ride, did Gerta learn she was Jewish and living under a false name. From that point on, she’s immersed in the horrors of the Holocaust surviving through luck and her skill with her father’s viola.  Barely alive at the end of the war, Gerta begins the long road to recovery at a refugee camp where she meets other survivors–each with their own physical and emotional scars, each facing decisions about the future. At 16, she must learn who she is and carve a path for herself in a world utterly, irrevocably changed.

Let’s stop there, because plot summary doesn’t begin to tell the story.  Stamper unfolds Gerta’s tale of pain and discovery using carefully crafted prose–just enough detail to be effective without offering more than what is needed.  She crafts an outline on which readers can hang their imaginations, filling in Gerta’s experience: “The train screeches, slows, whines. The clacking tempo decreases until we stop.  A rush of wind blows through the two small windows. It smells of a sweetish smoke. It is not wood smoke.” Although Stamper uses few words (the entire book including multiple supplemental sections reaches only 266 pages), it’s enough to create rich, believable characters.  It’s also enough to convey the research behind this well-written historical fiction. Gerta’s emotions feel authentic, immediate, a realistic response to the specific nightmares of Theresienstadt and Auschwitz.

There’s a sparse beauty in Stamper’s text and in the black-and-white, ink wash illustrations found throughout.  Whether a small, corner work or a full, two-page spread, her art is both ethereal and very much grounded in reality.  (Pages 198-99 are a fantastic example!) Images and story mesh perfectly, bringing Gerta’s journey to life and deepening the reader’s experience.

What sets this book apart from the greater body of Holocaust fiction is its timeline.  The main narrative doesn’t end with the Nazi defeat. Instead, it tackles the immense question of “What happens afterward?”  As was the case for millions after World War II, Gerta’s life does not immediately return to prosperity or joy because bombs stopped dropping and concentration camps were liberated.  Stamper unflinchingly describes the situation faced by survivors–disease, malnutrition, poverty, housing shortages, physical and emotional scars, the search for loved ones, rampant anti-Semitism, reclamation of identity.  Perhaps it’s possible that hope can return to Gerta, that she can truly live instead of merely survive: “Everyone has come and gone, piles of shells pulled in and out of waves, and I’m still here, a skeleton of a sea creature, dropped in this tide pool, living, watching, still living.”

Be sure to read What the Night Sings cover to cover.  The supplemental materials after the story round out the book and offer richer reading.  The author provides hand-drawn maps of the book’s settings along with a glossary, pronunciation guide, and brief list of related resources.  To get a true feeling of how music intertwined with the characters, try listening to the selections mentioned in the book; a list is included with the other resources.  Most importantly, read the “Author’s Note” for a powerful view of Vesta Stamper’s moving, challenging journey of discovery as she created this story.

This memorable work was a finalist for the American Library Association’s 2019 William C. Morris YA Debut Award which honors a book published by a first-time author writing for teens and celebrates impressive new voices in young adult literature.  This is an amazing book, award or no. Read it because it’s beautiful, powerful, important, and Velveteen Rabbit real. It’s great for teens (and adults) who are ready for Holocaust and coming of age material; be prepared for discussion opportunities on a variety of topics.  I greatly enjoyed this title and hope you do, too.

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Farewell and Two Historical Fiction Books to Keep you Thinking

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February 3, 2019

I always have a hard time figuring out how to begin any columns I write for Joplin Public Library. This time it is even more difficult to know what to say. This will be my last column and book review on behalf of Joplin Public Library.

The day you read this will be my last day as director at Joplin Public Library. I have just completed nine years of what has inarguably been the most interesting years of my employment. The years have run the gamut of emotions and stretched me in ways I never anticipated.

In the way life frequently happens, I was not seeking a change. It was my full intention to stay with Joplin Public Library until I was led away in my dotage. An opportunity came my way, however, that changed that and is allowing me to come full circle in my life.

My undergraduate degree was awarded by Ozark Christian College on North Main Street. The “new” library facility opened there my freshman year. When I saw they had an opening in the library, I saw a chance to “dial back” my life a bit, yet come and work where my adult life began.

I will be beginning as Access Services librarian (fancy librarian term for making sure folks can get what they need) there. Leaving Joplin Public Library is definitely bittersweet. I have learned much and met so many terrific patrons and staff that leaving and beginning again isn’t easy. Yet the opportunity allows me to come full circle with my life in a way I hadn’t dreamed of.

I will miss Joplin Public Library and hope the feeling is mutual.

Now, I’d better tell you about a book!

I’ve read two books by Melanie Dobson this month that captured my attention and intrigued me. I have always enjoyed historical fiction, and especially fiction taking place during the World War II era, specifically during the Holocaust. Visiting Auschwitz when I was in college left an indelible imprint on me, making me want to learn more, both through fiction and non-fiction writings.

Both CATCHING THE WIND and HIDDEN AMONG THE STARS are set with dual time and storylines. There are storylines in the present-day setting that intertwine with the past. Both books had intricate plotting that kept me thinking, trying to figure out what was what and how the stories in each weave together to make one.

CATCHING THE WIND tells of Daniel Knight, who has searched for nearly 70 years for his best friend, Brigitte, whom he helped escape from the Gestapo after both their sets of parents were arrested. A long, harrowing and dangerous journey for the 13 and 10 year old gets them to England, where they are promptly separated. He never reneges on his promise to try to find her. But can he keep that promise?

HIDDEN AMONG THE STARS tells of Callie Randall, who runs a bookstore and discovers a cryptic list in a first edition of BAMBI. Her search for information leads her to take risks, discover past secrets, and find information that changes lives forever. Changes for the better? Or changes for the worse?

I read both books in audiobook format through Hoopla. Joplin Public Library also carries them in print format. The audiobook narrator was quite good. I don’t care for the narrators who read quite well, but in a sickly sweet voice. Give me a narrator whose voice changes for characters and situations. Nancy Peterson narrated these two books that way and did a great job.

These two books were the sort that had me sitting in the garage for five minutes more of the story, or driving more slowly on my commute home. Tempting as it was to listen at my desk, I managed to resist that.

If you enjoy historical fiction with a hint of intrigue, danger, and romance, as well as an inspirational bent, you will enjoy these books.

Thank you for allowing me to bend your ear about my reading habits for the past nine years. I will never forget the experience.

Reviewed by Jacque Gage

Women of the Blue and Gray: True Civil War Stories of Mothers, Medics, Soldiers, and Spies by Marianne Monson

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Lately, I’m of a mood to read everything nonfiction. As such, I presently have nine new nonfiction books checked out from the library. Which is to say it was challenging to decide which book to read in its entirety and to write about for this review.

Although Karen Blumenthal’s Bonnie and Clyde: The Making of a Legend was good, to say the least, you no doubt are familiar with their story, including their brief stint here in Joplin, which resulted in those playful, infamous photographs the gang left behind as they fled town.

Another contender was Craig Brown’s Ninety-Nine Glimpses of Princess Margaret. Admittedly, I’ve yet to finish that one. It’s not that I don’t appreciate Brown’s untraditional (for a biography) formatting, but, frankly, I find Princess Margaret exhausting in a gossipy, spoiled sort of way. I started to feel as if I was glimpsing into a collection of US Weekly or People magazine articles. Which is fine, if that’s what you’re in the mood for.

After reading, if one only in part, these two titles, as well as perusing the others, which range in topic from American capitalism to feminism to language to politics to reading (Yes, a book about reading!) and to travel, I settled on a history. Specifically, Marianne Monson’s Women of the Blue and Gray: True Civil War Stories of Mothers, Medics, Soldiers, and Spies.

Monson’s well-documented account tells the story of countless women who participated in the American Civil War: those who fought on the frontlines alongside men (often while disguised as men); those who formed so-called beardless brigades to protect their hometowns; those who nursed soldiers after, as well as during, combat; those who smuggled food, people, supplies, and weapons across enemy lines; those who created extensive spy networks; and those who otherwise contributed to the efforts of that long, bloody war.

This collection of histories and brief biographies is introduced with a discussion about woman’s veiled role throughout history and the importance of lifting that veil. And not just from women of certain or particular perspectives or upbringings, but from women—black, immigrant, Native American, white, poor, rich, middle-class, educated, uneducated, freed, enslaved, and all others, and, especially in the case of this book, northern and southern women alike.

Researching the history of women, particularly enslaved or uber-marginalized women, is a challenging, frustrating endeavor. Oftentimes, information was not recorded about women as it was about men, especially during eras when women did not own property, work outside of the home, or keep their maiden names when married. Monson’s research, which she carefully notes at the end of each chapter, is impressive, as are her chapter-by-chapter suggestions for further reading.

Monson refreshes our memories of well-known voices from this era, such as Harriet Beecher Stowe, Lydia Marie Child, the Grimké sisters, Harriet Jacobs, Harriet Tubman, Clara Barton, and others. Further, she restores the histories of women who are likely lesser-known, such as Susie Baker King Taylor, Frances Clayton, Mary Jane Richards, Belle Boyd, the Sanchez sisters, Rebecca Wright, Anna Ella Carroll, Rachel Moore Brownfield, Mother Bickerdyke, Dr. Mary Walker, Mary Ann Shadd Cary, Chipeta, Hanging Cloud, Sallie Peacheater Manus, and numerous others.
Through the varied voices of these women, we not only gain a better understanding of what life was like in that era, but we discover the emergence of patterns and themes that continue to be relevant in contemporary America.

As always, happy reading.

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