A Walk in the Park: The True Story of a Spectacular Misadventure in the Grand Canyon by Kevin Fedarko

Have you ever thought about hopping into the Grand Canyon and hiking its entire length? Neither have I. Not only did Kevin Fedarko, author of A Walk in the Park: The True Story of a Spectacular Misadventure in the Grand Canyon, think about it, he actually did it. The subtitle of this compelling and thoughtful book very well could have been penned before the actual hike began. For how could an 800-mile trek by someone who is spectacularly unprepared be anything but a misadventure?

Fedarko made the excursion with photographer Pete McBride, his friend and sometimes nemesis (they bicker a lot). It’s not as though the duo were tenderfoots. Over the years, they have teamed up on numerous global adventures that became stories for publication. And prior to that, Fedarko spent many a summer within the canyon as a whitewater boatman for a Colorado River rafting company. Sounds impressive enough. However, he writes it as a marker of his inadequacies. The goal was to be a guide with a boat full of paying guests, not a boatman hauling supplies at the tail end of a rafting convoy. The fact that he was never good enough to be entrusted with piloting other humans down the river was “soul crushing.”

Over five million people a year visit the Grand Canyon. Most peer over the rim; some hike its trails or raft the Colorado. But there have been only a few dozen that we know of who have hiked its entirety. There’s no guidebook for this, of course. Such is the allure for dedicated thru-hikers who must rely on each other, from sharing route information to dropping in caches of supplies when a set of comrades are on the epic hike.

Obviously, this is not something novices just jump into. Enter Fedarko and McBride, two novices who do exactly that. They do have access to a small group of experts who will guide them. Again, they are not exactly just off-the-couch blokes. With this hike, however, they are not prepared. Not only is their gear all wrong, they are—most egregiously—commencing the hike with a “no problem” attitude.

Fedarko’s writing brings the wonders of the canyon to the reader. There are mile-deep walls where “nearly 40 percent of the planet’s chronology was etched directly into the stone.” It’s a place that has both tundra and desert conditions, where streams are almost sentient, retreating from the scorching sun and reemerging at night.

And, without a doubt, the canyon can be deadly. Aside from the dramatic cliffs that claim both casual tourists and experienced hikers alike, there’s the grinding heat. Ultimately, this is what ends Fedarko and McBride’s first attempt. Every day is a slog, notwithstanding the most breath-taking scenery imaginable. Fedarko’s feet are wrecked from all the sand that’s worked its way in. (He forgot to pack gaiters. McBride said it was for the best as he thinks wearing gaiters look goofy.) He quotes what another hiker said of such interminable days: “that hell might well consist of hiking like this for eternity.” McBride eventually experiences “water intoxication.” He’s drinking enough water, but he’s not taking in the requisite amount of electrolytes. His muscles seize and contort to the point where it looks as though there’s another living entity inside him trying to escape. It then becomes a race to escape the canyon before certain death.

Humiliated, they initially conclude that there’s no way they should try this again. But much to their surprise, another set of experienced hikers immediately reach out to educate (and scold) them. Fedarko and McBride had already learned the hard way that they just couldn’t mule their way through. They needed to (surprise) meticulously plan, become obsessive in weighing their gear so as to not schlep more than their daily exertion levels can manage.

Properly humbled, they return to the canyon with this new group of experts. The duo persevere, even tackling some segments of the canyon by themselves. At times it’s hard not to be envious of their experiences: dropping into cavernous slot canyons that very few people (if any) have explored; walking by the numerous artifacts and pictographs from prehistoric peoples; stargazing into a night sky that’s without a trace of light pollution and experiencing what astronomers call “celestial vaulting.” But then there are the recounted days where you think, “Nah, I’m good.” There are many weeks where the only water sources are various muddy potholes, some with such small apertures that the water must be extracted with a syringe. Then there are the snow-covered catwalks where one wrong step will send you to your death. And if you’re in the wrong place when a flash flood appears, forget it, you’re dead.

On the final leg of the hike, their guide made sure to take them through “Helicopter Alley.” At the western end of the canyon, helicopters ferry tourists up to the rim where they disembark for a few minutes (take a few selfies); and then they clamber aboard again, roaring back down the canyon. It’s nonstop and maddeningly loud. This, their guide tells them, is why he and the others agreed to lead these two on a thru-hike. A story about the canyon’s splendors must also include the commercial threats that undermine the canyon’s grandeur.

Towards the end of hike, McBride confesses to Fedarko that he believes he’s wasted his time snapping pictures along the way; for they can’t capture what’s probably the most powerful feature of the canyon: the quiet. I understand the sentiment. What makes the Southwest so enthralling is not just the landscape that changes hues throughout the day, but also the quiet that seems to emanate from it. It’s transcendent.

Fedarko grew up in the industrial regions of Pennsylvania, where chemical emissions poisoned both workers and residents. When he was a boy, his father gave him a copy of Colin Fletcher’s account of thru-hiking the Grand Canyon. So the Grand Canyon was—and is—the other much needed counterweight to having our way with the land. It’s both a message and a gift to future generations: There are some wild places that should remain just as they are because what they offer is already more than enough. While very few will ever undertake such a trek as Fedarko made, they should at least have the opportunity to do so and experience the same quiet and wonder.

At hike’s end, Fedarko renters the park’s trails, where people are simply walking and smiling, completely oblivious to what he has accomplished. It’s a simple yet powerful pleasure. They, too, are enjoying a walk in the park.

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Reviewed by Jason Sullivan

The Library of Borrowed Hearts by Lucy Gilmore

Chloe once dreamed of being a librarian, now her dreams are for a dishwasher or a new roof. She does work in a library but not as a librarian. She is a general city worker. She may be sent to work in another city office or she will shelve books, cover the desk, or discard the many decades of old books that have accumulated in the basement. It is during this task that she finds a copy of the scandalous banned book The Tropic of Cancer.

The discovery of this book and the story that unfolds around it are the subject of Lucy Gilmore’s latest novel, The Library of Borrowed Hearts.

Chloe’s quest to be a librarian was upended by her mother’s abandonment of Chloe’s siblings. Eleven year old Trixie (Beatrice) tried to care for her younger brothers (Theo and Noodle (Aloysius)) but CPS soon sent them to foster care. Chloe has them back home and is doing her best to raise them but money is tight. Selling this abandoned copy may net her a tidy sum as this version is a 1960 Mexico printing. The book was not allowed to be published and sold in the U.S.

She hopes to get enough for at least a down payment on the roof then discovers writing in the margins. At first disappointed that the value has now dropped she soon becomes intrigued. It appears C and J were corresponding with each other using passages in the book to further their flirtation/conversation.

But book values and flirtations have to wait for dinner, homework, and a new crisis. In a vain attempt to train their old dog to fetch, Noodle threw his Frisbee into the yard next door. Unlike the rest of the neighborhood Jasper Holmes has a beautiful yard and a bad disposition. Anything that comes into his yard never comes out. Knowing how much that Frisbee means to Noodle, Chloe heads next door. Her request for the toy is denied but with more conversation than usual.

Holmes doesn’t like the nickname Noodle then accuses her of wasting money. For Chloe that is the final straw and she tells him just how much $5.00 means to her family, even telling him about taking the book to sell. His response is to ask what book and appears stunned by her response. When he makes no move to bring her the Frisbee she leaves.

Once the kids are in bed she starts researching the book’s value but is soon caught up in the notes in the margins. Interrupted by someone at the door she opens it to Jasper Holmes on the doorstep with the Frisbee and an offer to buy the book. When she doesn’t name a price, he offers $5,000.00 then gives her a blank check. Handing over the book she realizes Jasper is J.

Chloe is now on a quest to discover any other volumes Jasper and C wrote in. One of the notes in The Tropic of Cancer referred to Hemingway novels. Chloe and her best friend Pepper are scouring all the Hemingway novels looking for notes when she is called to the hospital. Noodle is in the ER having fallen off a cliff!

Suffering a broken leg and bruised ribs, Noodle was found by Zach, a trainer at the survival camp. Zach teaches Air Force pilots how to survive after a crash. He is also a flirt as Chloe soon discovers. Dealing with the broken leg will be enough of a problem but the reason Noodle was running and fell worsens the situation. He hit a boy at school and was suspended for a month.

Forced to leave him home alone, Chloe is at work when Zach shows up. He wants an update on Aloysius, to invite Chloe out, and to return a Hemingway title. But, he emphasizes, he is not responsible for the writing in the margins. Thrilled to have another part of J and C’s story Chloe leaves to check on Noodle but he is gone. It seems Jasper has decided that Noodle should stay with him during the day. Could this be the beginning of a friendship with her grouchy neighbor?

Chloe has guessed that the C in the margins is a Catherine and she’s right. In chapters titled Catherine then later Jasper and 1960 the love story of J and C is told. As the novel flips between 1960 and present day we see how the past affects the future and the people we become. For Chloe J and C’s story is important because she sees some of herself in Jasper.

This novel is centered around a romance but it is so much more. It’s about love in all forms -for family, friends, community, books and each other. It’s also about sacrifice, forgiveness and learning to let go.

Gilmore’s characters have depth and with an intriguing story line this is a heartfelt read. You’ll find it in the new book section at the library.

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Review by Patty Crane, Reference Librarian

Pizza Girl by Jean Kyoung Frazier

The unnamed narrator of Jean Kyoung Frazier’s PIZZA GIRL is an eighteen-year-old pregnant woman working as a delivery driver for a local pizza restaurant. She feels unmoored from her life – overwhelmed and directionless – and unable to connect to the child growing inside her. Until she meets Jenny Hauser.

Jenny is also feeling overwhelmed by her life. Her family just moved to Los Angeles for her husband’s job, and her small son refuses to eat anything until his parents move him back to Bismarck. Jenny is convinced that if she can find his favorite pepperoni and pickle pizza, he will learn to love their new home.

The narrator answers the phone when Jenny calls in and finds herself unable to say no to the odd request. When she makes the delivery, she gets drawn into Jenny’s life.

The pepperoni pickle pizza order becomes a regular Wednesday tradition. The narrator jumps for the phone all evening, hoping to intercept the call. When they discuss the narrator’s pregnancy, Jenny invites her to a young mothers support group. The narrator goes along, but the more time she spends with Jenny Hauser, the more she obsesses over the other woman.

She drives out of her way to cruise by the Hausers’ home. She imagines what their life would be like if she and Jenny ran away from Los Angeles together: starting a new life with the two of them and Jenny’s son.

The narrator neglects all the other people in her life. She comes home late at night with no explanation. She begins sneaking out to the shed while everyone else is asleep. She can’t seem to care about her life or her unborn baby.

Her mother and her boyfriend, Billy, are both excited about the baby. Billy wants to plan their future – he is even considering skipping out on his college scholarship so that he can take care of their new family.

Some of the narrator’s angst stems from their baby derailing the hopes that she and Billy had for the future. She is also afraid that they will grow to be too much like her own small, struggling family and, specifically, that she is too much like her deceased father.

When the narrator was young, she used to regularly bring her father home from drunken nights out. He was cruel to her and her mother, although her mother has many fond memories of him – things that the narrator doesn’t remember. He also used to sneak out to spend time alone in the shed. As the novel progresses, the narrator finds herself slipping right into the role he left behind.

PIZZA GIRL is a short and intense novel. The narrator jumps around to different points in her life, revealing new information as the book progresses.  It’s difficult to be on her side, because she makes such terrible decisions, but I still wanted her to succeed. I wanted her to find a way to be content with life she already had.

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Book review by Alyssa Berry, Technical Services Librarian

Expiration Dates by Rebecca Serle

For twenty years, each time Daphne Bell meets a new man the universe sends her a sign for how long their relationship is destined to last – Noah, five weeks; Hugo, three months; Tae, two years and two months – but this time, as she heads out for a blind date with Jake, it’s different. His name is there, but the expiration date is missing.

She is both taken aback, but also giddy, because she is convinced this must be the start of her final relationship. The one without end, or at least the one she is going to marry and live out her life with.

Her date with Jake goes well and they have a good connection. He is caring, attentive and a steady presence at all times. However, as their courtship and eventual engagement progress Daphne finds herself feeling unsure and questioning the universe on the lack of timeline it has assigned for Jake.

Through the help of her friends – Hugo, an ex boyfriend turned best friend; Irina, her boss; and Kendra, a previous co-worker – Daphne learns the importance of opening up and sharing the truth, even if it is difficult. She learns that it is up to her to choose her destiny and not to depend on anyone else to decide for her.

I have enjoyed Rebecca Serle’s previous books – IN FIVE YEARS, THE DINNER LIST, ONE ITALIAN SUMMER – and her latest offering is no different. I love that this book feels different than her previous books. I am always impressed at her quiet, calm way of writing a story. The set up is always key and usually there is a missing piece, and this title is no different. The pacing is exact and the character development is a focus. Each relationship Daphne has is meaningful, whether it is her best friend Hugo or her boss Irina. Even Murphy, her dog, has a personality and special connection with Daphne.

One reviewer called this book “a sugary confection.” I think this is the most perfect description – “sweet, light, enjoyable, fun” – all the things I look for in a quick summer read. This one may have gone a little too quickly though, because I did feel like I needed to know more about what happened to Daphne after the book ended. Or maybe that is just because I was curious about her? Either way, I thought it was compulsively readable and a page-turner. Readers will want to grab this one quickly, before summer expires.

Review written by: Jeana Gockley, Joplin Public Library Director

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Monstrilio by Gerardo Sámano Córdova

Monstrilio by Gerardo Sámano Córdova is a book that has stuck with me. If you are a reader you likely know what I refer to – a book that lingers after you’re finished reading, one that leaves a mark. Monstrilio is that for me. In a past book review I mentioned that I have been exploring horror fiction, a genre that until recently, I didn’t really pick up. I’ve read a handful so far this year, Monstrilio being the most recent, and I am becoming more and more content with my new reading exploration. A debut novel, Monstrilio is a horror novel with literary leanings released in 2023 by Mexico City author Córdova. I think there are a lot of ways to describe this unique novel, it runs the gamut of emotions, but in essence this novel explores extreme sorrow and immense love through the story of a boy that becomes a monster that becomes a man.

The novel is told in four parts by four different main characters. It opens with Magos on the most devastating day for a parent: she and her husband, Joseph, lose their 11 year old son, Santiago, who dies from complications of living with one lung. In her grief, Magos opens the body of her son and removes a chunk of his lung. “One believes the stupidest things in grief,” Córdova writes, and this is one of those things. Magos believes if she cares for and feeds the piece of Santiago’s lung he will come back to her.

Much to her family’s surprise (and horror), it works…in a way. From the piece of lung grows a black furred, ferociously hungry being, or monster, if you’d like. However, he is not Santiago, although he carries some likeness in addition to the lung. Magos calls him Santiago, while Joseph and Lena (a good friend to Magos and Joseph) call him Monstrilio. 

What follows are short segments moving forward in time as Monstrilio matures, learning to adapt to his circumstance and live like a human. Following Magos’ narration is Lena’s, the friend and doctor in love with Magos who often helps care for Monstrilio’s not-so-human health. Then, Joseph takes over narration. Monstrilio is now a young adult living with Magos and going by his new name, M. Joseph and Magos have very different views on who M is, and have been separated since the death of Santiago. Yet something they have in common is their fierce love for M. 

Finally, the last part of the novel is told by M. The sections leading up to M’s are a slow burn, and M’s narration was my favorite part of the book. M is trying to figure out where he belongs in the shadow of someone else, but M has the added obstacle of not being completely human. He is battling his ever-present hunger for humans, the expectations of his loved ones, his desire to understand humans, and generally fitting in a world not created for him. M is the result of a monstrous decision made by someone else, in the throes of monstrous grief, and he does not know if he is M, Santiago, Monstrilio, a combination, or someone else entirely. 

Monstrilio is a stunning novel that wraps its characters in grief, love, and the persistence of both. It examines the lasting effects of grief and how, if we let it, our own grief can affect those we hold most dear and even turn us monstrous. The novel also explores the binding results of loyalty and acceptance of those we love. Monstrilio features dark themes and is the most gory horror novel I’ve personally read (I haven’t read many). That might be an immediate “no” for some readers, and an immediate “yes” for others; either way, the part horror, part literary meditation on emotions that makes up this novel was unexpected, unsettling, and simply wonderful. Córdova comes out swinging with this debut and I am looking forward to what he releases next. While Monstrilio did make me sad, it is a book that I won’t soon forget. 

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Review written by Sarah Turner-Hill, Adult Programming Coordinator

The First Cat in Space Ate Pizza by Mac Barnett and Shawn Harris

The Summer Reading Program at Joplin Public Library comes to a close this weekend. What a summer! Altogether, we had almost 1,500 participants in the reading challenge. In the Children’s Department alone, we hosted almost 120 programs. Our theme this summer was “Adventure Begins at Your Library.” My last review was about an adventure-based picture book; with the end of summer reading on the horizon, I would like to share a rollicking adventure in graphic novel form.

I have intended to read The First Cat in Space Ate Pizza for several years now. The book began as a weekly virtual book club during the COVID lockdown. Mac Barnett hosted a weekly meeting called “Mac’s Book Club Book Show” where he would read from his books and bring in special guests; a dress code was always encouraged. During these meetings, Barnett and Shawn Harris began a series of live weekly cartoons. Thus, The First Cat in Space Ate Pizza was born. Thankfully, they turned it into a book that we can all enjoy.

The book is reminiscent of the ever popular Dog Man books but never derivative. The main character is a cat who doesn’t speak yet is tasked with saving the moon. His sidekick is a talkative robot (LOZ 4000) whose main job in life thus far has been to clip the toenails of an evil genius. When the cat and the robot arrive on the moon, they embark on a journey with the queen to stop the Rat King from eating the moon. The government official monitoring the situation from Earth regularly makes exclamations like “Oh my Uncle Tony’s Hot Calzoney” and “Oh my wrinkly pinkie toe.” This story is ridiculous in the best way. Some children’s humor is just for children— and that’s okay— but some transcends. The First Cat in Space Ate Pizza falls into the second camp.

Shawn Harris’ illustrations are perfect for this book. The facial expressions are humorous yet simple, and the color spreads throughout the different chapters typically use just a few colors but manage to bring the setting alive. I appreciate Harris’ depiction of light in various scenes. A scene featuring the queen talking to the man on the moon shows a shaft of light reflecting on pillars in an impressively realistic way.

Talking about this book is really fun and reading it is even more so. I would recommend this book to elementary-aged readers who enjoy funny books. I would especially recommend this to young Dog Man fans who have read and reread all 12 titles in the series. I would also recommend this to anyone who appreciates absurdist humor. I suppose I would recommend this to just about anyone. Lucky for us, the sequel The First Cat in Space and the Soup of Doom was recently published. Happy reading!

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Age of Revolutions: Progress and Backlash from 1600 to the Present by Fareed Zakaria

If you’re still on the prowl for this summer’s beach read, Fareed Zakaria has your back with his latest book, Age of Revolutions: Progress and Backlash from 1600 to the Present. It’s a book for those with, shall we say, divergent beach-reading preferences. Using his Harvard-trained political scientist background along with his current role as a CNN political commentator, Zakaria expertly combines both breadth and accessibility to lay out how studying five centuries of revolutions can add context to our current challenges.

This was an ambitious project, to be sure. Zakaria’s targeted audience here is wide, including both the Foreign Affairs reader and the more casual news consumer. To start, Zakaria contends that liberal democratic capitalism has been a basic good. We’re looking at classical liberalism, where democracies are not about outcomes, but norms: rule of law, individual and economic freedom, checked power. The revolutions he explores fall under a fairly traditional social science definition. They are revolutions that embodied profound structural changes: social, political, and economic. Zakaria excludes the American Revolution as it was more or less a civil war among Englishmen. After American independence, life in the former colonies looked pretty much as it had before. The Founders certainly did much to further Enlightenment thinking regarding liberalism, nevertheless, as evidenced in the Federalist Papers.

Zakaria credits the Dutch with the building of liberalism’s foundation. They rejected absolute monarchy and promoted free trade. Separating themselves from the Hapsburg Empire, a national identity was established. To themselves, they were the Dutch, distinct and unique. In 1688, the Glorious Revolution—in which a Dutchman and his wife, William and Mary, were invited to assume the English throne—solidified Parliament as the ruling power of England. In other words, a social contract was made. According to Zakaria, “the moment Dutch commercialism was wedded to English power can be seen as the moment the medieval world came to a close.”

Any discussion of revolutions must include the quintessence of failed revolutions: the French Revolution. Given the calcified state of French society in 1789, Zakaria notes that there was an early liberal movement during the nascent stages of the revolution. But when the Reign of Terror commenced, the French republic became, in reality, a dictatorship. The illiberal movements that followed were so seismic, their effects are still with us. Are you a liberal or are you a conservative? Are you a friend of the republic or are you an enemy?

This is why Zakaria’s book title is the plural of revolution. A revolution begets a counter-revolution. The French Revolution undoubtedly rattled Europe, especially within the German states. There was “a ferocious backlash to the cold rationalism of the Enlightenment, and its monstrous child, the revolution.” So, the Right turned to a new movement: Romanticism. Modernity had so shaken the elites, there was a pining for some bygone yesteryear.

The Industrial Revolution is covered along with the 19th century U.S. industrialization boom, what Zakaria calls America’s real revolution. He points out that the British government leveled the same accusations against Americans as today’s American government levels against the Chinese. Ostensibly, such practices as product dumping and intellectual property theft are not new. Nonetheless, massive change spurred massive disruption. The reaction in Europe came in the form of socialism; in the U.S., it was populism.

In the 20th century, liberalism’s greatest threat was communism. Zakaria details how the Washington Consensus encouraged developing countries to privatize and embrace the market economy via free trade. It was seen by President Reagan and Prime Minister Thatcher as a win-win: good for defeating the Soviets and good for the respective nation. Neoliberalism was so prevalent that when the Tories finally lost in the 1990s, Labour’s new leader, Tony Blair, embraced this globalist view. In fact, when Thatcher was asked to name her greatest achievement, she said, “Tony Blair.” The message was clear. Labour espousing Tory economic practices meant that, to her, the matter had been settled.

After the Soviet Union fell, political scientist Francis Fukuyama famously wrote that the event marked “the end of history.” To Fukuyama, political evolution had reached its highest state. Liberal democracy had, in essence, won. But history wasn’t quite finished, for a democratic backsliding—a move to autocracy—commenced in some countries. This shouldn’t be a surprise, says Zakaria. Market reforms may open a nation, but the foundation of a democratic system takes time to develop. Napoleon may have dismissed England as a “nation of shopkeepers.” But those shopkeepers point to a dynamic nation of staked interests. In other words, there’s a vigorous Parliament precisely because it took centuries to mature.

As the second half of Zakaria’s book moves us to the present, we see continued constructive and disruptive changes by way of modernity. He goes through the numbers, and they are striking. China and India essentially “come online.” Just think of the sheer volume of people now participating in this global economy. Additionally, technological changes continue to disrupt just as much as they contribute. Nothing new here. The printing press played a part in a century of European religious wars. In so many ways, life is now easier and safer. But it’s also more isolating. As a rather benign but consequential example, Amazon.com has replaced your local bookshop.

The “red state vs. blue state” debate is now part of the zeitgeist. But urban vs. rural seems more to the point. We have, more or less, self-sorted ourselves. This is further exacerbated when one siloes news sources. If you so choose, you don’t have to worry about working through any complex national or global issue. You can find plenty of outlets telling you that the answers are simple, and that others are to blame for the problems, always. These are business models disguised as news organizations.

Abroad, the European Union has been an economic success, yet many Europeans feel alienated from its largesse, says Zakaria. Farther east, revanchist Russia is in the throes of its own curious grappling with identity. To add further complexity, we (in the West) tend to think of Enlightenment precepts as universal. But many countries tend to view them as a “legacy of Western dominance.”

Zakaria seems to take a rather sanguine view of our global economic interdependence. He wants the reader to consider the rather long relative peace that’s been in place among the great powers. But, he of course understands the challenges. He quotes Kierkegaard: “Anxiety is the dizziness of freedom.” The book’s epigraph includes a famous Marx and Engels passage from The Communist Manifesto: “All that is solid melts into air, all that is holy is profaned…”

Anxiety and constant change are certainly a part of our modern political economy. In response, there are individuals who claim to be the vanguard of a movement to cure the ills that they have diagnosed, asserting that they are the only ones who can offer stability. Tribalism is often signaled over reality. Historically, followers of such individuals are willing to tolerate (or even advocate) realpolitik actions, thus eschewing institutions and democratic norms. In other words, such actions are illiberal. What happens when illiberal means are used in an attempt to restore some atavistic sense of national strength? Can liberal democracy survive when rules, procedures, and compromise are tossed aside? Perhaps we will see.

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Reviewed by Jason Sullivan

A House with Good Bones by T. Kingfisher

A halt to her archeological dig and the vague mention from her brother that something seems off with their mother send Sam Montgomery across the country to her mother’s house in North Carolina.

The house on Lammergeier Lane was never her favorite place to be. It used to belong to Sam’s grandmother, Gran Mae – a harsh woman with exacting standards. When Sam was very young, her family lived with her grandmother briefly. Sam only has limited memories of that time, all unpleasant.

Her grandmother had strict rules for their behavior, requiring that they appear “nice and normal,” like a sitcom family. She used to threaten her grandchildren with stories of underground children who would come for them if they misbehaved. Her only joy came from her meticulously kept rose bushes.

When Sam arrives at her mother’s home, Edith does seem off. Her usually peppy mother is jumping at shadows, they now have to pray before dinner, and Edith will not hear a word against Gran Mae – who has been dead for many years.

The house itself is also different. When Edith moved in, she repainted all of the rooms and redecorated the house to match her own warm, chaotic style. Sam notices immediately that the house looks almost exactly the way it did when her grandmother was still alive: white-walled and sterile, devoid of all personal touches from her mother. There is also a large vulture living on the mailbox.

Stress about her mother’s condition and an inexplicable swarm of ladybugs in her bedroom have Sam on edge. She is not sleeping well, and she has been having strange dreams about someone whispering in her ear.

Determined to help her mother, Sam begins poking into her own family history. She discovers that her great-grandfather was a notorious “sorcerer” in his day, with correspondents with whom he discussed creating human life through magic.

Sam cannot imagine her straight-laced grandmother having anything to do with these fantastical beliefs. In fact, when she was alive, Gran Mae had a feud with a neighbor that she only referred to as “that old witch.”

The neighbor, a lovely woman named Gail, has befriended Edith since she moved back to town. Afraid that her mother may be developing dementia, Sam goes to Gail, hoping to get some insight into her mother’s condition.

Instead, Gail assures Sam that magic is real, her mother is perfectly in control of her faculties, and something evil is inhabiting her grandmother’s house.

A HOUSE WITH GOOD BONES by T. Kingfisher is a horror novel with a modern Southern Gothic flair. The atmosphere is perfect for a haunted house story. Much of the suspense is drawn from the reader knowing that there really is a malevolent presence in the house, while Sam steadfastly refuses to believe it.

Sam is certain that there is a mundane answer to her mother’s distress right up until the moment her grandmother’s ghost appears at their dining room table.

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Book review by Alyssa Berry, Technical Services Librarian

Funny Story by Emily Henry

’Tis the season … oh, no, not that season … the season for the release of bestselling author Emily Henry’s latest book.

It definitely feels like a celebratory season to anyone who has counted down since the last one came out in spring 2023. And it would seem that I am not alone in my excitement because Henry’s latest offering, “Funny Story,” was named one of the most anticipated books of 2024 by Time magazine before its release April 23. The real question is, was it worth the wait?

Let me give you some details about the book first, and then I will share some thoughts.

The book’s main character, Daphne Vincent, loves a good story. She especially loves how her fiance, Peter, would tell the story of how they met — in a park on a windy day, with Daphne trying to retrieve her hat and eventually getting some assistance from Peter. Though unbeknownst to lovestruck Daphne, their breakup on the night of Peter’s bachelor party, when he dumps Daphne for childhood best friend Petra, will prove an even more interesting story than their first meeting.

After the breakup, Daphne is not sure what to do. She has moved to Michigan from South Carolina for Peter. She has a new job as a children’s librarian, and her co-workers think she must be in the witness protection program or working for the FBI because she is so hush-hush about herself. Her friend group consists only of people who are also friends with Peter. She feels sad, overwhelmed and alone. With no other place to go, Daphne accepts an invitation from Miles, Petra’s ex-boyfriend, to move into the apartment that he and Petra used to share.

Miles is the opposite of Daphne’s organized, introverted, neat personality. His fly-by-the-seat-of-his-pants adventurous personality allows him much adventure, and he has the ability to charm complete strangers, though his breakup with Petra has really shook him. After moving in, Daphne observes him mostly spending a lot of time in his room watching sad movies and listening to loud, depressing music.

Despite living in the same apartment, the two avoid each other for several weeks, but a chance encounter and a fun night out leaves their exes thinking the two are more than just roommates. From this misleading event, the two form a precarious friendship, with Miles offering to help Daphne get out of the house and see more of what their small town in Michigan has to offer. She has been so focused on counting down to the end-of-summer readathon fundraising event that she is in charge of that she has forgotten to see where she is and enjoy her time in a new place. It is thanks to Miles that she begins to explore and appreciate Michigan.

In this new chapter of Daphne’s life, the two become close, but several misunderstandings involving their exes, as well as Daphne’s mostly absent father, who springs a surprise visit on her, get in the way of their happiness. Ultimately, Daphne has to decide what is most important to her and whether she will leave Michigan once the library’s readathon is over.

Yes, yes, yes — this book was worth the wait. The characters are well drawn and relatable. Of course, I especially love that Henry made Daphne a librarian and that the whole book is about a story or, rather, multiple stories that converge to make a wonderful read. It is clever, and while nothing is too surprising, everything fits and makes the book compelling and easy to read. My perfect beach read. Now to start my new countdown — only 330 days, or something close to that, until Henry’s new book gets released.

Review written by: Jeana Gockley, Joplin Public Library Director

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Weyward by Emilia Hart

Weyward is author Emilia Hart’s debut novel. A historical fiction mixed with magical realism and gothic tones, the novel became a New York Times Bestseller and won two Goodreads Choice Awards: Best Historical Fiction and Best Debut Novel for 2023. Weyward is a split narrative following the lives of three women across five centuries. After I finished reading I knew I wanted to write a book review about it as I found it to be a genuinely good, well-crafted story.

1619: Altha Weyward recently lost her mother to illness, her only family and companion. Her mother taught Altha the ways of medicine and healing, but with caution. The healing Altha came to know from her mother is that of natural remedies, herbs, mixtures procured from nature – far from the practice of placing leeches on the sick as a form of treatment, as doctors commonly did. When Altha’s mother becomes sick she makes Altha promise to keep these ways of healing, and other secrets, safe and not to draw attention to herself. Altha and her mother know their village is not a safe place for them as unmarried women that practice healing, especially with the way animals seem to respond to Altha, and the pet crow her mother keeps. Yet, Altha cannot help putting down all their secrets and her deeds in a book she locks away in her cottage. Soon after the loss of her mother Altha finds herself on trial accused of witchcraft following the death of a man in her village.

1942: Violet Ayres has always had a fascination with plants and animals, the mechanics of the natural world. Living with her father and brother on an estate in complete isolation, Violet’s closest friends are the spider that lives under her bed, her nanny, and the insects she befriends while about their estate. Violet’s mother died when she was very young and her father is an unloving guardian, more interested in keeping Violet away from society so she doesn’t “become like her mother.” When Violet meets her cousin for the first time she is fascinated by someone new, and by the way he looks at her. All her observations of insects do not help her understand her cousin or the ways of the world. When Violet suddenly finds her safe world harshly torn apart she is forced to live alone in Weyward Cottage, once owned by her mother. Violet begins to discover why she might have such an inclination for animals and the natural world, and the history of her maternal side, helped along by a crow and a book she discovers, authored by a woman named Altha.

2019: Kate Ayres takes her burner phone, the funds she has been secretly stashing away, and a suitcase and flees her husband. Her destination: the cottage her great aunt Violet Ayres left for her when she passed away, a woman she met in childhood but barely knew. But anything is better than the repetitive abuse she receives from her husband. Over the years Kate has found herself shrinking who she is, lessening her hobbies and passions, cutting out her mother and friends, all to avoid her husband’s anger. Her father died saving Kate’s life when she was a child, and since then her love for animals and nature has been silenced. Kate is alone, scared, and does not know what to do next. Yet when she arrives at Weyward Cottage she begins to find herself in Violet’s belongings, in the garden, insects, and crows, and in a book left under lock and key by a woman named Altha.

The chapters of Weyward tell Altha, Violet, and Kate’s stories bit by bit, revealing how the three women and their stories connect, even separated by centuries. All three find themselves alone and isolated following life-changing experiences. Yet, they are not truly alone, for in themselves and by way of their connection to one another they find healing and purpose. Weyward is about the resilience and strength of women, the connection that comes from sisterhood, and trusting in oneself. Witchcraft and magic are implied elements, more of supporting characters to the women’s stories rather than front and center. I found Weyward to be a magical novel, despite being able to guess what was about to happen throughout the story; Emilia Hart managed to make what could be a predictable storyline seem new. Hart’s prose runs smoothly, her character development enough to have developed characters while also leaving room for imagination, and the audio version was read by three different narrators for Altha, Violet, and Kate (which I’m a big fan of). Weyward is perfect for readers looking for some magic and female empowerment in their lives.

Note: If you are considering reading Weyward I suggest reviewing the content warnings before picking up the novel.

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Review by Sarah Turner-Hill, Adult Programming Coordinator.