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The Joplin Writers’ Faire Returns!

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After a year-long hiatus, we’re back for 2021! The Joplin Writers’ Faire is scheduled for Saturday, October 9, 2021 from 10am-noon here inside the library.

This year’s line-up includes:

Billie Holladay Skelley

Catherine Valentine

Chad Stebbins

Chris Mitchell

Elton Gahr

F.C. Shultz

Izzy B

Larry Wood

Laura Lynn Wright

Pub Hound Press

Randy Turner

Robert Dopp

S.V. Farnsworth

Sandra Ruddick-Darr

Small Harbor Publishing

William & Doris Martin

The Joplin Writers’ Faire is a free, public event co-hosted by Post Art Library and Joplin Public Library each October. The aim of this event is to connect all sorts of writers to their existing and potentially new audiences while encouraging community support of local and regional writers. Questions? Call Jill at 417-623-7953 x1041.

Please note that social distancing will be observed at this event.

Good Mail Day: A Primer for Making Eye-Popping Postal Art by Jennie Hinchcliff and Carolee Gilligan Wheeler

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In 2014 we, meaning Post Art Library (the privately funded not-for-profit arts organization located inside Joplin Public Library since 1981), put out a call for entry for mail art. The idea was to create a one-off exhibit of mail art received from all over the world to introduce locals to the medium and encourage their participation. At the time, I was myself somewhat new to engaging with mail art and my experience with the world-wide mail art Network – yes, that’s a thing – was limited at best. Yet there I was, helping to coordinate a mail art call for entry and co-curate the resulting show. Enter Jennie Hinchcliff and Carolee Gilligan Wheeler’s Good Mail Day: A Primer for Making Eye-Popping Postal Art.

This book differs from other mail art books that I’ve read (such as Mail Me Art by Darren Di Lieto and Correspondence Art, edited by Michael Crane and Mary Stofflet, both of which are wonderful) in that it’s not only a gallery of mail art, but a sort of mail art workshop, as the authors offer oodles of advice for how to make mail art, start a mail art project, and navigate the mail art world. Plus, it introduces readers to mail art terminology and, perhaps most importantly, mail art etiquette.

But what’s mail art? A basic, common definition of mail art (a.k.a. correspondence or postal art) is that mail art is when people send small-scale works of art to one another through the postal service, often with the package itself being considered the work of art. Frankly, that definition falls flat and fails to describe the vibrancy of this decades-long movement. In my experience, the best way to describe mail art is to hand someone a stack of it. The only sure thing about mail art is that it is, as Hinchcliff and Gilligan Wheeler write, for everyone: “Anyone can be a mail artist, regardless of skill level or style of artwork.” The mail art itself is all over the place and all mediums are welcome. (The authors remind us, however, not to send anyone anything that we don’t want to deal with in our own mailboxes, such as perishable items.)

Although mail art is for everyone, the Network, like any other, has some basic rules. Namely, that “every piece of mail art that comes into your mailbox should receive some sort of acknowledgement in return.” That is, send something back! In the mail art world, this reciprocity is known as documentation. “No returns” is another tenet of mail art exchanges, meaning that each piece you receive is yours to keep, just as each piece you send out is someone else’s to keep. I appreciate that Hinchcliff and Gilligan Wheeler tell us the rules and “Time-honored Traditions” of mail art culture at the start. It’s as if they’re telling us that if we cannot respect those rules, then we needn’t read further or participate.

Of course, there are non-Network rules that mail artists must abide by, such as those of the postal service (or services, when mailing internationally). As such, we’re reminded to become familiar with our local postal regulations and to keep in mind that mail is categorized based not only on shape, but on thickness and weight. For example, if an envelope exceeds the maximum dimensions or thickness, then it may be categorized as a package and, accordingly, require more postage. The chapter that touches on regulations also includes “The Ten Commandments of Mail Art,” “The Seven Sins of Mailing,” and “Seven Suggestions for Shepherding Your Mail Art Safely to Its Destination.” You’ll also find tips on wooing your mail carrier and becoming friends with those who work in the post office.

The bulk of the book isn’t about defining mail art or mail art rules, but about having fun and making mail art. A few pages cover turning everyday objects, such as produce stickers, wrappers, leaves, and bird feathers into mailable mail art. What to do with those old dryer sheets? Mail them! As the authors discovered, they make for durable mail art. The point is that you may creatively make use of whatever you have nearby and whatever you find laying around, like found objects, old catalogs, junk mail, etc.

Ideas for decorating and illustrating envelopes, whether ready-made or those you create yourself, are included in this title, as are other techniques, such as paper-folding, texturing, and creating patterns, as well as stenciling, faux postage and artistamps, refining your handwriting, finding pen pals, and developing your postal personality.

My old friend, Chapter 10, details how to start a mail art project of your own, including writing a call for entry, creating documentation, and developing a correspondence register, which is more involved than keeping a list or address book of mail art contacts because it has more information. For example, a correspondence register might have columns for name, address, what you received, when you received it, what you sent back, when you sent it, and any other tidbits that you’d care to include. Trust, when coordinating a mail art project, which involves sending documentation (i.e. mail art thank yous) to those who send to you, a register is handy!

“You Can Take It with You: The Traveling Mail Art Kit,” is one of my favorite chapters. In the chapter, the authors emphasize that “mail art can happen anywhere, at any time, and in any place.” Think a waiting room that you’re stuck in, when you’re on hold making a phone call, or utilizing public transportation, or some such situation. The idea behind the mail art kit is that it’s possible to make mail art even when time is limited. The “Suggested Items for a Well-stocked Mail Art Kit” list is great, though your kit may contain whatever you like. What’s in my kit varies from time to time, though at minimum it includes stamps, stationary, and a few envelopes.

Peppered throughout the book are mini-interviews with mail artists from around the world, as well as great visuals, with the book ending with a mail art gallery followed by a contributor’s list, further resources, and an envelope template. Interestingly, the authors became friends when getting to know one another through mail art after meeting at a book arts event. Thus, the mail art that they’ve exchanged is a visual account of how their friendship developed—so cool!

So, is Good Mail Day a good primer for aspiring mail artists? Indeed, as it continues to guide me through what started as a one-off mail art project in 2014 and has since turned into an ongoing project for our growing collection. At the time of this writing, we have 300+ pieces of mail art from around the world in our collection and we’re about half-way into our third mail art exhibit, which is accompanied by an active call for entry. Visit us at www.postartlibrary.org to learn more about Post Mail Art Projekt 2021: Show Me Mail Art and check out Hinchcliff and Gilligan Wheeler’s Good Mail Day to learn how to get started.

As always, happy reading. And happy mailing!

How the Post Office Created America: A History by Winifred Gallagher

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I fancy sending and receiving mail: cards, letters, mail art, packages, and postcards. I delight even in receiving unsolicited consumer catalogs and other junk mail that make for great collage material. In a word, mail is fun. At its inception, however, what came to be our country’s postal service wasn’t meant for fun, but for a “secure, independent communications network so that [our country’s co-founders] could talk treason and circulate the latest news without fear of arrest.”

Readers interested in the history of the United States Postal Service or the history of the founding of America will find Winifred Gallagher’s How the Post Office Created America: A History fascinating. Throughout the book, Gallagher draws parallels between the development of the postal system and that of our country, illustrating that one could not have happened without the other.

In addition to needing a way to “talk treason,” our forefathers desired a way to disseminate information to the public in post-Revolutionary America. Prior to this time, mail, which was then the only means of remote communication, was a privilege rather than the given that it is today. Those who lacked access to this communication network also lacked access to information. The postal service was increasingly relied upon as a means to educate the public about our country’s development and encourage their participation. Newspapers are among the first materials to be mailed to the masses. In fact, it was common for printers to double as postmasters. The distribution of newspapers via the postal service helped democratize access to information similar to how the post democratized access to communication.

But it wasn’t easy and it didn’t happen overnight. Gallagher expounds on the challenges that beleaguered the post. Transportation, for example. The earliest mail carriers were post riders. Men, usually, though not always, who carried the post on horseback and rode tirelessly to their destinations or to hand the mail off to their relay (not unlike a relay race). This was especially dangerous in a mostly unsettled country thick with uncertainty and thin, at best, with the infrastructure required to carry out the service.

Post roads were mapped to connect the country, as well as to shape its settlement. Mail was increasingly delivered by stagecoach (so called because it would stop at various intervals, or stages, along the way). By 1813, Congress authorized steamers to carry mail and, in 1823, “all waterways” were declared post roads. The development of the postal service is closely tied to that of the railroad with a sort of public-private partnership that led to the Railway Mail Service, which, until aviation came along, was the most efficient method of transporting the mail. According to Gallagher (and she makes a great case), the postal service single-handedly supported the aviation industry by subsidizing its infrastructure.

Transportation wasn’t the mail’s only challenge, however. Another was safety. Not only that of postal employees, but of the mail itself. Especially during the post rider, stagecoach, and railway days, it was not uncommon for the mail to be stolen. When mail traveled via railway it did so in wooden train cars that were placed behind the engine car, which meant that it was susceptible to fire, endangering both employees and the mail.

Finances were yet another challenge. In the early days of the American postal service, it was not the sender who paid for personal correspondence, but the recipient. One went to the post office (because that was the only option prior to home delivery) and asked for their letters and paid only for those that they wished to receive. Not surprisingly, this was costly. Not to mention the accumulation of unwanted letters, which ended up in the Dead Letter Office (an interesting destination and story in and of itself).

The postal service did more than overcome challenges, though. It changed America’s social landscape. During the Victorian era, letter-writing became extremely popular, especially among women. So much so that post offices installed separate windows for women to pick up their correspondence so as to keep aligned with that era’s social mores (i.e. to keep the women from the men, especially because, at that time, post offices could also double as places of vice). Books about the etiquette of writing letters abounded and stamp lockets, a locket containing stamps worn on a chain around the neck, became popular, as did stamp collecting.

In her final chapter, she examines the postal service’s missed opportunity to provide the Internet as a non-profit public service rather than our current privatized for-profit system. When considering how different access to electronic communication and information might look had the post prepared for a digital future, she imagines: “They would have insisted that every post office in America become a neighborhood media hub equipped with a bank of computers that enable citizens to go online for little or no expense–a service now provided by more than sixty nations around the world, to say nothing of America’s own public libraries, where people que up or take a number for online access.”

These considerations have merit. After all, the postal service and the Internet are not unlike one another. Both came about to fulfill the need for remote communication and the dissemination of information, while helping to democratize access in the process. Interestingly, public perception of both has been, at times, similar. To wit: It was feared that mail order catalogs and buying/selling goods through the mail would destroy local businesses much like it’s feared that buying/selling goods online will do the same.

Gallagher details America’s long, winding postal road with an intriguing history that spans two centuries while skillfully supporting her claim that the post office created America. In the final words of her afterward, “Whither the Post,” Gallagher encourages us “to reflect on what the post has accomplished over the centuries and what it could and should contribute in the years to come” before deciding its future. To state it simply, reading this title has only strengthened my opinion that, too often, our postal service is taken for granted.

As always, happy reading.

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Dear Fahrenheit 451 by Annie Spence

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Librarians love books. We love the smell and the feel of books. We love the weight of knowledge that you feel just holding a book in your hands. But sometimes, you find a book that just makes you want to throw it against a wall. Or bury it in your yard. Or – fellow librarians, cover your eyes – set that book on fire.

In “Dear Fahrenheit 451: Love and Heartbreak in the Stacks,” librarian Annie Spence writes letters to books that have left an impression on her (both good and bad).  From “Matilda” to “The Goldfinch” to “Cornzapoppin’!: Popcorn Recipes and Party Ideas for All Occasions” – Annie has read them all, and she has feelings.

Annie’s letters are well-written and approachable, she mourns her inability to get through “Anna Karenina” and sheds light on the unhealthy relationship at the center of “The Giving Tree.” Each letter is composed like a love letter, or a break-up letter in some cases, and is signed with Annie’s signature. Reading this book feels like reading someone’s personal, and very unusual reading journal.

These letters are hilarious, but also ridiculously informative. If you want to know what series is loved by both semi-truck drivers and precocious children bored of the books in the Children’s Room, Annie can help with that (it’s Agatha Christie’s Miss Marple series).

Annie Spence is a master of a skill essential to library work called “reader’s advisory.” It is skill all about being able to understand and create connections between books. When a patron comes into a library looking for what to read next, we have been trained to help you find something else you will probably enjoy. Annie Spence is here – in book form – to help you find your new favorite books.

Annie is also ready if you need some advice for your life, not just what to read but also Excuses to Tell Your Friends So You Can Stay Home With Your Books (page 177) or Turning Your Lover into a Reader (page 205) – if you find that your significant other is just not that into books.

Reading this book feels like talking to a friend, the reader feels very connected to Annie and her experiences reading books. You can tell just how much she loves reading – and it makes you want to expand your own reading horizons. If nothing else, pick it up so you can truly understand how voracious readers feel about the library from Disney’s Beauty and the Beast (page 163).

If you look forward to reading these book reviews that we at the Joplin Public Library provide every week, then I heartily recommend that you give “Dear Fahrenheit 451” a try.

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Anthony Bourdain Remembered

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Anthony Bourdain was important to a lot of people. There is no denying that his books and TV shows have influenced people to view life and the world in a different way. Each one of his works set out to paint an honest picture of the world, the people who live there and the food they consume. As famous as he was with talking about issues people faced in their particular countries, he also listened to what others had to say. When he died, it shook the world that he traveled.

“ANTHONY BOURDAIN REMEMBERED” was released by CNN as a way to honor his life and pay tribute to a special human being. It features pictures of his travels, as well as small paragraphs written by former colleagues, friends and the people he met during his adventures.

Because I am not famous enough to be featured in this book, I figured this review could be my way of saying thanks. In high school, I did not really know what I wanted to do with life. But when I started watching his shows, I felt an immediate connection. An episode of “No Reservations” left you feeling like you were along for the trip. For many of us, there is no chance of going where he went. I think he recognized that and sought to create a well-rounded show an hour at a time.

He taught me to not fall for tourist traps and figure out where the locals go. Because of Anthony Bourdain, I also started eating differently, trying new things — even made an effort to expand my palate.

I thought this book would be a quick read, but I soon realized that you should take your time with it. Each person who contributed expressed deep gratitude for him and his work. You can find contributions made by Darren Aronofsky, Jacques Pepin, Iggy Pop, Barack Obama and many more. The photographs show a moment in time of a man who just wanted to move from place to place and experience the world as others do.

Most of the pictures show him beside food of some sort. He understood the significance of food and those you eat it with. By eating a country’s native dishes you get a sense of the history and culture behind it. Anthony Bourdain said: “Walk in someone else’s shoes or at least eat their food.”

If you are interested in reading some of Anthony Bourdain’s other books, the library has several of them in print and ebook format, including “Kitchen Confidential,” “Medium Raw,” “A Cook’s Tour” and “The Nasty Bits.” In the near future, I will purchase one of his “No Reservations” DVD collections to donate it to the library. The mark he left on the world should never be forgotten. With “Anthony Bourdain Remembered,” CNN did an incredible job at providing a snapshot of his life and making sure that his legacy will be remembered.

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CALLING ALL WRITERS: 2019 JOPLIN WRITERS’ FAIRE REGISTRATION

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Registration is now open for the 2019 Joplin Writers’ Faire, an annual, collaborative library event that connects all sorts of writers to their existing and potentially new audiences while encouraging community support of local and regional writers.

Last year, over 25 authors participated in and over 300 people attended this annual event! Registration is FREE and open to all writers, writers’ groups, and writing-related organizations.

DETAILS:

  • The 3rd Annual Joplin Writers’ Faire is scheduled for Saturday, October 26, 2019 from 10am-2pm at Joplin Public Library.
  • Registrationis FREE and opens at 9am on Thursday, August 1, 2019 and closes at 6pm on Friday, August 30, 2019. Neither early nor late registrations will be accepted. Tables will be provided for the first 25 registrants. 
  • For an opportunity to participate in the public reading portion of this event, we request that you donate an item (e.g. one of your books, associated merchandise, a journal, pen set, etc.) to be given away as a door prize. If you’re agreeable to the donation and would like to claim one of the sixteen public-reading slots, then please state as such at the time of your registration. Note that participation in the public-reading portion of this event is optional and that slots will be given on a first come, first serve basis. 
  • Contact either Jill Halbach (jhalbach@postartlibrary.org; 417-623-7953 x1041) or Evan Martin (emartin@joplinpubliclibrary.org; 417-623-7953 x1018) to register.

The Joplin Writers’ Faire is a collaboration between Post Art Library (PAL) and Joplin Public Library (JPL).

Ukulele Resources

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Imagine walking into a public library and checking out a ukulele. Now, imagine this: If you have a Joplin Public Library card, then you don’t have to imagine. Earlier this year, Joplin Public Library and Post Art Library partnered with Glory Days Music of Joplin to bring a series of ukulele resources to the library, including Uke Can Play! workshops, instructional materials, and, you guessed it, ukuleles. Although we no longer offer ukulele workshops, the library now has six ukuleles available for checkout to anyone with a Joplin Public Library card in good standing.

You might find it strange that a public library would include ukuleles in their circulating collection. But public libraries are increasingly making non-traditional material types accessible through their collections, ranging from hand tools to small kitchen appliances, from fitness kits to board games, from cookie sheets to cake pans, and much, much more.

But why ukuleles? Because ukuleles are, in a word, fun. So much fun, in fact, that all of our workshops were full and a waitlist was started before we were able to release promotional materials. In addition to their fun-factor, ukuleles are easy enough to learn to play and are relatively inexpensive, especially in comparison to other stringed instruments. Plus, we avoided reinventing the wheel by modeling our program like similar programs offered by other public libraries.

Although it doesn’t come naturally, ukulele is not a challenging instrument to begin learning. By the end of our workshops, attendees understood the basics and could play at least one song, regardless of whether they had previous experience with ukuleles or other instruments. Trust me–uke can play! And I encourage you to checkout one of our ukuleles to get started.

But let’s say you’ve started. Maybe you checked out a ukulele or you already have one. Yet you’re unsure about what comes next. We have resources for that, too. Following are brief reviews of other ukulele-related resources we offer:

Ukulele Method, Book 1 by Lil’ Rev – Of the ukulele resources we have, this is the one I recommend for complete beginners. Author and award-winning instrumentalist Lil’ Rev introduces a thorough, but laid-back ukulele method, beginning with ukulele anatomy and variations, how to hold your ukulele, and tuning before moving into notes, chords and chord charts, fretting, and strumming. Includes standard melodies for beginners.  

Ukulele Method, Book 2 by Lil’ Rev – This follow-up to Lil’ Rev’s Ukulele Method, Book 1 focuses on right-hand (fretting) techniques and melody playing. Players become familiar with movable chords and different chord families, as well as hammer-ons, pull-offs, slides, and a few different strum methods/patterns. Like Book 1, Book 2 includes standard melodies for beginners.

Easy Songs for Ukulele by Lil’ Rev – Once you’ve learned how to read a chord chart, this book is an excellent resource for easy, popular songs, including pop, folk, country, and blues. Selective artists include Elvis, The Beatles, Woody Guthrie, Johnny Cash, and Huddie Ledbetter. Admittedly, it’s a touch scary if, like me, you don’t know how to read music, but the chords are included above the music, thus making the music playable for anyone familiar with chord grids.

Alfred’s Easy Ukulele Songs by Alfred Music – This is a songbook of “50 hits across the decades” from the rock and pop genres of music. Like other songbooks, both the music and chords are included, making the book suitable for both advanced and beginning players. Sample songs include Abba’s Fernando, Journey’s Don’t Stop Believin’, Whitney Houston’s Greatest Love of All, and the Ghostbusters theme song. It’s a great resource for those who like pop and rock.

Ukulele Favorites for Dummies – Admittedly, this is my least favorite of our ukulele books; however, it’s a good resource, especially for those interested in vocal melodies, chord harmonies, and performance notes. Although it includes intermediate material, many of the songs are suitable for beginners.  

Classic Rock Ukulele Songbook – Like other songbooks, this, too, has musical notation as well as chord grids. It’s a fantastic resource for players who would like to learn some classic rock, such as The Who, Queen, Pink Floyd, Janis Joplin, and more.

Ukulele: A Beginning Method by Daniel Ho –  This is a DVD rather than a book. I recommend it to beginners who prefer visual either in addition to or instead of written resources. It includes basic techniques, scales, chords, strumming, and such, as well as highlights how to choose a ukulele, how to practice efficiently, and how to improvise.  

Finally, we’ve come to our last ukulele resource: Ukulele Club. When I started playing ukulele, I was told people are the best resource for beginners and advanced players alike. What better way to meet people interested in or already playing ukulele than to start a ukulele club at the library? First meet: Saturday, January 12th, 2-4pm. Bring your own uke or checkout one of ours!

Happy strumming…