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Ninth House by Leigh Bardugo

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For as long as she can remember, Alex Stern has been able to see ghosts. For most of her life it has been an inconvenience at best, but now it has gotten her a fresh start in life and a free ride to one of the most prestigious colleges in the world.

Last summer Alex woke up in a hospital bed after surviving a horrific attack at her home. There she is visited by Dean Elliot Sandow; he knows about her ability to see ghosts and he wants to offer her a position in one of the nine houses, secret societies on Yale’s campus.

Eight of the houses are essentially fraternities, run by the children of the rich and powerful – who were themselves members of these houses. Within these groups, members perform magical rituals: some predict the future, others change themselves into animals. In one Alex witnesses a famous musician undergoing a ritual to sing more beautifully.

The ninth house, Lethe, serves as a watchdog for these other houses. Lethe makes sure their rituals do not get out of hand and that the societies do not reveal themselves to the general public. Alex’s abilities will make her a valuable asset in this group.

All of the members have their own part to play within Lethe. Alex is an apprentice member, working under the direction of Darlington – Daniel Arlington – an upperclassman known and respected around campus. Darlington went missing earlier in the year when Alex saw him pulled into a portal to hell. Alex is driven to bring him back, despite everyone telling her that he is dead.

Lethe also has an Oculus, someone dedicated to recording and gathering information, and the Centurion, a member of the local police who can alert them if a crime scene seems magical or cover up something that the houses will deal with on their own.

Initially, Alex feels isolated in this group. Darlington is jealous of her innate ability to see ghosts. Pamela Dawes, the Oculus, seems offended by Alex’s presence. And the Centurion, Detective Turner, suspects that Alex may have been involved in the grisly murder she escaped in California.

Alex herself is difficult to get along with. She actively opposes the polite facade that has kept the balance between the houses and she is disgusted by the rich kids who play with magic without understanding the dangers. Back in California she was a high school dropout with an abusive drug dealer boyfriend. She knows this is an entirely different world, but she refuses to bow to its conventions.

Midway through her first semester, Alex is sent to the scene of a possible homicide. A young woman from New Haven has been found murdered. Detective Turner is eager to turn Alex away, the woman and her boyfriend are known criminals and he is already in custody, but Alex cannot shake the feeling that something is off.

As she follows up on her suspicions, Alex uncovers a string of similar murders going back decades. And if these are some kind of secret ritual gone wrong, Alex is going to get to put a stop to it.

Bardugo is an expert at crafting a satisfying antihero, Alex is a protagonist that the reader cannot entirely trust. She is complicated, secretive, and more likely to punch someone in the gut than walk away. Alex has had a hard life, but she will do anything to protect her friends – whatever the cost.

Leigh Bardugo’s NINTH HOUSE is a bit of a puzzle box. The novel jumps around through time; flashing back to scenes from Alex’s training with Darlington and keeping certain details hidden from the reader until just the right moment. There are layers of mysteries that build over the course of the story. Most of those mysteries are concluded by the end of the book; others are resolved in Hell Bent, the sequel that came out earlier this year.

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Book review by Alyssa Berry, Technical Services Librarian

The Invisible Life of Addie LaRue by V.E. Schwab

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Addie LaRue was born in the wrong time. Her world is too small; she feels trapped by the village she lives in and trapped by the expectations that society has for her. She dreads the inevitability of marriage which will take away the bit of freedom she has managed to create.

When she finds herself on that final threshold – promised to a widower looking for a mother for his children – she cries out, begging to be given a path out of the future her parents and neighbors have planned for her. And someone answers.

A stranger appears, offering exactly what she wants, as long as she is willing to pay. Addie asks for time and for freedom, to belong to no one but herself. She agrees to give up her soul to the stranger, but only when she no longer wants it.

The side effects of her deal become evident almost immediately. Addie heads back home, grateful to have avoided her fate. She is shocked when her mother does not recognize her. Worse yet, as soon as her mother leaves the room she forgets having seen Addie. She disappeared from her mother’s memory as soon as she was out of sight.

Everyone Addie used to know treats her like a stranger, she is now alone in the world. She belongs to no one and she never will.

Three hundred years later, now living in New York City, Addie has managed to build a life for herself on the fringes. She has become an expert at living on only what she can steal.

Then, everything changes. Addie finds herself in a used bookstore, looking for something to pass the time. She makes a selection and walks out the door, knowing that the clerk will forget her as soon as she is out of his view. Until he chases her down to confront her about the theft. When Addie comes back the next day, certain that their interaction was a fluke, he says three words that she thought she would never hear again: “I remember you.”

Addie is confused, delighted, and desperate to form her first real human connection in hundreds of years. She knows that this man, Henry, could be a trap set for her by the stranger, but she cannot walk away from the possibility that he presents.

She tells Henry about everything: the stranger, the deal she made, and its consequences. For three hundred years, her curse has kept people from understanding Addie’s story but Henry listens – and he believes her. Because he made a deal too.

THE INVISIBLE LIFE OF ADDIE LARUE by V. E. Schwab is an unusual novel, to say the least. It jumps back and forth largely between Addie in 1700s France, struggling through the limits of her new life, and Addie in 2010s New York City. The novel is surprisingly optimistic. Despite Addie’s tragic circumstances, she is able to find joy in her invisible life. She is still delighted by the people that she meets and awed by the experiences that she has only had because her life has gone on this long.

On the other hand, Addie and Henry are both keeping secrets – and the stranger has not given up his hopes of collecting the soul of Addie LaRue.

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Book review by Alyssa Berry, Technical Services Librarian

Station Eternity by Mur Lafferty

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Mallory Viridian spends her life keeping people at arms distance, trying to keep them alive. Death has  followed her for as long as she can remember.

When she was very young, her mother died. Then one of her teachers was murdered, followed by her guidance counselor. Just before she dropped out of college, an annoying classmate and a room service attendant were both killed during a class trip – in two unrelated murders. The final straw came when the guest of honor was murdered at a birthday party Mallory had been forced to attend.

After that, she was done with humans. Thankfully, alien life had just made first contact. Mallory made her case and was granted sanctuary aboard a sentient space station called Eternity.

Life aboard Eternity isn’t always easy. The station is outfitted to care for a variety of alien lifeforms, from the giant rock people called the Gneiss to the ever-present blue and silver wasps of the Sundry hive mind.

With only three humans on board, the station has more pressing matters to deal with than catering specifically to their needs. Mallory has been left to find out which of the alien foods her body is capable of digesting – including a semi-molten liquid rock that could conceivably be called “coffee.”

Her only remaining human contacts are Adrian, the self-important Ambassador of Earth, and Xan, a fellow sanctuary-seeker/stowaway.

Life aboard Eternity has been pleasantly murder-free, but Mallory has just gotten word that everything is about to change. An Earth shuttle is headed to Eternity, and with those human passengers will come a murder. Mallory is certain.

Mallory has a sixth sense for impending death; first she begins to notice unusual coincidences. At the birthday-party-turned-crime-scene, she was almost guaranteed to only know the person who brought her. Instead she finds Xan.

The two had been friends in college, before she dropped out to avoid more murder and he dropped out to join the military. Seeing him out of the blue is not a good sign. Sure enough, after reconnecting with her old friend for a few minutes, the party-goers’ game of Werewolf turns into an actual murder.

With the certainty of this experience, Mallory knows that more humans on Eternity will mean another death. And when her premonition turns out to be correct, the murder ripples out through the station – and no one on Eternity will be safe.

STATION ETERNITY by Mur Lafferty is a well-plotted murder mystery encased in a science fiction shell.

It takes place in the near-future, which helps make the world feel familiar. Human technology and motivations have not changed much in Mallory’s time and it is easy to understand the distrust some humans have for their new galactic neighbors.

The book can occasionally seem choppy, cutting back and forth between Mallory’s present and quick vignettes to the other murders she has solved. These vignettes do not always tell the whole story. Mallory reserves the right to skip details and bring the murders up again before the reader gets the whole picture.

The book’s perspective shifts around between characters, deeply exploring the world that Lafferty has built while still keeping the urgency of the unsolved murder front and center. STATION ETERNITY’s aliens are unusual but relatable, and I would say the same for its humans.

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Review by Alyssa Berry, Technical Services Librarian

The Scholomance Trilogy by Naomi Novik

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Beginning with A DEADLY EDUCATION, Naomi Novik’s Scholomance trilogy is a contemporary fantasy series about magically gifted teenagers forced to struggle for survival in a school determined to destroy them.

Once a year, the fourteen-year-old magically-inclined children of the world are pulled into the Scholomance – a sentient school designed to teach them how to use their powers. After four years, those who survive are sent back to their families.

The danger inside the school pales in comparison to what waits for untrained magic-users outside the school. When they are young, their parents can protect them. However, as their powers develop, they are more likely to attract maleficaria – monsters that eat magic and the people able to cast it.

The school itself keeps most of the maleficaria out, but it is not foolproof. Students are in constant danger of being attacked. Mals are able to get into the one portal that links the Scholomance to the real world: the graduation door.

Graduation is the last gauntlet that Scholomance students have to face. In order to leave, students must face the mals that have made it inside since the previous graduation.

El has spent the last three years keeping to herself. This is part of the strategy she developed for survival: keep under the radar until her final year, then reveal her powers and find a team with a good chance of getting out alive.

And it would be working, if not for Orion Lake.

No one attracts El’s ire like Orion Lake, the golden boy of the school. He represents everything that she hates most about their world. His mother is a high-standing member of the magical organization in New York, one of the biggest in the world, and he behaves like a storybook hero. He spends all his time fighting other people’s battles – literally.

Inside the Scholomance, it is supposed to be every student for themselves. Danger lurks around every corner and the school is doing its best to put weaker students at risk – with fewer students its resources will go further, after all. Everyone has to make their own way.

Now that she is one of the most experienced students in the school, El finds herself confronted with what this philosophy actually entails. Against her better judgement, she realizes that she cannot let others get hurt when she has the power to help them.

Throughout the first two books, El builds relationships with her fellow students, letting her guard down after three years of mutual distrust between herself and her classmates.

Unfortunately, the more she learns about them, the harder it is to face that many of them will not make it out of the Scholomance. But between her closely-guarded powers and Orion’s superhero attitude, maybe they can work together to fix this broken system.

Naomi Novik’s Scholomance Trilogy concluded last fall with THE GOLDEN ENCLAVES, which starts directly after El’s graduation. Even though they are back home, El and her friends have to hit the ground running. Being magically gifted has not gotten any easier now that they are out in the real world.

 

Review written by: Alyssa Berry, Technical Services Librarian

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Hogfather by Terry Pratchett

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There are many stories about the resilience of Christmas. From Rudolph’s shiny nose making it possible for presents to be delivered to Scrooge providing a goose dinner and presents hoping to improve his Christmas Yet to Come. But none of them is as weird and wonderful as the book I am about to share with you.

On the back of an enormous turtle swimming through space sits the Discworld, a flat disc of a planet full of wizards, barbarians, assassins, and technology run by imps. It is a place where the odd and magical is commonplace, but tonight something is definitely wrong.

Death – scythe-wielding, cloak-wearing Death – is out on Hogswatch Night, the yuletide celebration of the longest night of the year, but there is no Hogfather to be seen. The jolly old man with the sleigh pulled by hogs should be going rooftop to rooftop delivering presents. Where is he?

With no other options, Death dons a red coat and a false beard and starts delivering presents himself.

During his travels he visits the home where his granddaughter – Susan – serves as the nanny for two small children. Death refuses to explain what he is doing. He knows that Susan’s curiosity will force her to find out what happened to the real Hogfather.

As Death’s granddaughter, Susan is one of the few adults able to see creatures that children believe in. Her charges frequently call Susan in to deal with monsters living under their bed. She deals with them quite roughly using her weapon of choice, the fireplace poker.

Susan does take matters into her own hands, first traveling to the Hogfather’s palace in the very hub of the Discworld. From there she goes to visit the wizards of Unseen University who have been having troubles of their own.

Since Hogwatch began every time the wizards reference an imaginary creature – such as a monster living in the laundry room who eats socks – that creature appears. Susan deduces that this is due to a buildup of belief. Belief that should be manifesting the Hogfather.

Hoping to find out more, Susan visits a friend of hers who works as a tooth fairy. What she discovers is that her friend has been kidnapped by the same people who are attempting to destroy the Hogfather.

She follows their trail to the Tooth Fairy’s realm, a world completely powered by the belief of children. There Susan attempts to rescue her friend and save the Hogfather – and Hogswatch Night for children around the Disc.

Terry Pratchett’s Hogfather was published in 1996; it is the twentieth novel set in the Discworld. The series has a total of forty-one books. It is a comic fantasy series, which does not take itself too seriously. Pratchett pokes fun at literary and fantasy tropes while — at the same time — reveling in them.

In Hogfather, Pratchett alludes to the story of the little match girl. A child trying to sell matches door-to-door who is destined to die this Hogswatch because no stranger is willing to take pity on her. But not while Death is the Hogfather. He puts a stop to that traditional narrative by restoring some of the sand in her hourglass.

Sir Terry Pratchett is an institution in England, but he may be somewhat unknown here in the United States. His brand of absurdity and humor is an absolute delight, and I encourage you to give HOGFATHER a try this holiday season.

Review written by: Alyssa Berry, Technical Services Librarian

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A Magic Steeped in Poison by Judy I. Lin

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In Judy I. Lin’s debut novel, A MAGIC STEEPED IN POISON, certain people — those who have been blessed with Shennong’s gifts — are able to use the ingredients and rituals of tea brewing to weave spells.

Some can use their power to see the future, others can brew teas that affect the mind, and some can heal. Practitioners of these arts are called shennong-tu, and masters are called shennong-shi.

Ning, a teenage shennong-tu, has been invited to the imperial palace to participate in a competition hosted by the emperor’s daughter. The competition will determine who will become the court shennong-shi, and win a favor from the princess.

She and the other trainees face a series of challenges to prove their skills. Winning will require a strong magical gift and a deep knowledge of tea. It will also require the strength of character to withstand the machinations of the court.

Ning is desperate to win a favor from the princess. Her sister, Shu, is gravely ill – poisoned by tea distributed to celebrate the Mid-Autumn Festival. Many people throughout the empire died as a result of the poisoned tea. Shu’s ongoing illness does not react to any antidote that Ning or her family have access to; the only way to save Shu is with the princess’s help.

As the competition progresses, Ning begins to form friendships with other people from the palace. In particular with Kang, the son of the banished prince – the current emperor’s brother. Kang has returned from exile to petition his uncle and cousin to right the wrongs that their people are suffering.

Ning and Kang form a bond before she knows who he is, before she knows the dangers of associating with him. Their connection does not go unnoticed by the princess. She tasks Ning with finding out Kang’s true motivations for returning to the capital.

As the princess well knows, there are those who are working against her. Not only out in the empire, but within the palace walls.

Now embroiled in a world completely alien to her own, Ning must navigate her loyalties to the princess, to her family, and to Kang – who she is now inextricably connected to after they shared a cup of tea.

The magic of Shennong requires a sacrifice of the user. When Ning is exerting her powers to look into someone’s mind, they can see into hers. If she uses her powers to heal someone, she has to experience their pain to do it. And the more magic she uses on a person, the more deeply they are bonded.

The world that Judy I. Lin has created is shaped by a deep mythology that simmers under the surface of her novel. She has carefully considered the layout of her world and the ways that geography, politics, and religion have shaped different regions. Ning feels like the proverbial fish out of water when she comes from the fringes of her small town into the heart of the country.

A MAGIC STEEPED IN POISON is a character-driven fantasy novel within a beautifully rendered world. Lin’s turns of phrase are poetic and deeply evocative. Her descriptions of food – and tea, of course – will send you straight to the kitchen.

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Chat with Alyssa about Chat & Craft

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What is Chat & Craft?

Chat & Craft is a monthly program offered by the JPL where crafters of all types are invited to come together over their mutual love of handcrafts. Many of the attendees have been coming since the program started in 2006. But they are very welcoming to new faces!

What do people do?

People bring in all kinds of things; there’s lots of crochet, cross stitch, knitting, needle felting, floral wreaths, we even have painters at times. If they sell the supplies at the craft store, chances are we’ve seen it at Chat & Craft.

Are you assigning crafts?

Generally, it’s bring your own project. We do offer group projects and classes at times. Back in June, I brought in a crochet pattern for a stuffed jellyfish – to tie in with summer reading – and people really seemed to like it. Next month, I will be bringing in supplies for everyone to make a small punch needle piece.

What changes have you made since you took over?

I took over the program early this year when the previous leader retired. I was grateful to have her foundation to build on. Since then we’ve done a re-brand, to make Chat & Craft more cohesive with the rest of our adult programming and I have been able to start providing supplies for classes, thanks to grant funding from the Lemons Charitable Trust.

When do you meet?

We get together on the first Tuesday of every month from 6 to 8pm in the library’s community room. Our next meeting will be September 6th, and we are learning punch needle embroidery.

Anything to say to those who might be interested?

I would say just give it a try! We really have a lot of fun, and there’s no pressure to be an especially good crafter – or even much of a chatter. Also, if you’re having trouble learning a new craft, someone here has probably tried it. Bring it in and we can get you on the right path.

 

The Cartographers by Peng Shepherd

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Nell Young’s whole life is maps, it always has been. Her father is a world-renowned expert in mapmaking and cartography at the New York Public Library, and he raised her to love maps as much as he does.

She followed in his footsteps through college: studying cartography and earning a highly-competitive internship in the NYPL’s Maps Division. All signs pointed to her earning a full position there when she graduated.

Until the Junk Box Incident. Nell and her father had a very public fight over a map and he fired her in front of the entire office. With her reputation as an up-and-coming academic ruined, and all her connections in the field broken by the loss of her father’s support. Nell was sentenced to a maps-adjacent career designing decorative maps for people’s living rooms.

After the fight, Nell wanted nothing more to do with her father. Although he had fostered her love of maps, he was a somewhat inattentive parent. He had done his best as a single father after her mother’s death, but he always felt distant.

Nell stayed away from him, and from the NYPL, for years. But she finds herself back in the library after hearing the news that her father has passed away at his desk. Looking through her father’s papers, Nell is shocked to find the map that she and her father fought about all those years ago – the catalyst of the Junk Box Incident. A nondescript, mass produced gas station map of New York’s highways.

During her internship, Nell discovered the junk box in the storage room of the Maps Division. Inside she had found some very rare and valuable maps, and – inexplicably – the gas station map. When she ran back to the office with her discovery, her father claimed that the maps in the box were fakes and fired her on the spot. What she cannot understand is why he seems to have held onto that worthless gas station map until the day he died.

As she looks into the history of the map, Nell discovers that every other copy has been claimed by a mysterious group called The Cartographers. Whether by purchase or theft, every copy of this map – in museums, libraries, archives, private collections, and antique shops – has disappeared.

Unable to stop digging into a mystery that is quickly taking over her life, Nell begins to chase down the people her father was in contact with before his death – people who turn out to be her parents’ college friends. They give her new insight into her family history and show her the real potential that maps hold, if you know where to look.

THE CARTOGRAPHERS by PENG SHEPHERD hops back and forth between Nell’s story and the first-person recollections of this older group of map enthusiasts. They tell her about events she was too young to remember and the truth behind lies that she has been told to protect her. The reader listens alongside Nell as she hears these stories from her past.

The book itself is a compelling blend of realism and fantasy. While much of the story is designed as a straight-laced mystery, there is magic here. It is a magic that feels almost plausible – and, if you read the author’s note, you will find that it is a magic that is very nearly real.

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Space Opera by Catherynne M. Valente

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SPACE OPERA by Catherynne M. Valente is a book so up my alley that I put off reading it for years because I was afraid it couldn’t live up to how amazing it sounded. I can tell you now that I was wrong.

But before I tell you about the book, let me ask: have you heard of Eurovision?  It’s an annual song contest that the nations of Europe have been putting on since 1956. Each country brings a song and performs it live, and the entire thing is broadcast on TV for the viewers at home. Sort of like the Olympics for pop music.

SPACE OPERA is Eurovision, but in space.

Decibel Jones – former front man of the one-time super-group Decibel Jones and the Absolute Zeros – is asleep in his tiny London apartment when he is visited by an electric blue flamingo creature claiming to be from another planet.

The creature is called an Esca, and she has come to Earth with a somewhat threatening invitation.

She explains that all of the known sentient species in the universe come together annually for a song contest. They play whatever they have for instruments and sing with whatever they use to produce speech – be it a mouth, a trunk, or a hollow melodic rib cage.

All species who have developed the capability for space travel are required to send a representative to the contest. Meaning that Earth must now participate. And as a race applying for intergalactic recognition of their sentience, they must place better than dead last.

If they come last, they will have proven they are not sentient, not able to coexist with the other species, and their entire race will be wiped out – in order to protect the other races from the threat of a non-sentient species wreaking havoc on everyone else.

The Esca explains the stakes to Decibel, and every other human on the planet simultaneously. She then presents humanity with a list of performers that have the best chance of succeeding in the Metagalactic Grand Prix. At the very bottom of the list: Decibel Jones and the Absolute Zeros.

Next thing he knows, Dess finds himself and his ex-bandmate, Oort St. Ultraviolet, onboard a starship headed for the Metagalactic Grand Prix, with the fate of the world on their shoulders.

The two of them must write and perform a new song that will appeal even a little bit to a panel of intergalactic judges, while rubbing elbows with unusual beings from across the universe.

SPACE OPERA is so much fun to read. Valente mixes in a lot of humor and heart into her story of impending global destruction. Readers get glimpses into what people back on earth are experiencing as they watch the Grand Prix and glimpses into Dess’ childhood, as a kid dancing around in his grandmother’s scarves and a teen designing his first stage outfit from the thrift store bargain bins.

From their conception, Decibel Jones and the Absolute Zeros were decidedly glam. They were a mid-2000s British pop sensation that burned briefly, but brightly.

The three members of the band, Dess, Oort, and Mira Wonderful Star, were a world all their own. Until Mira died tragically years ago. Without her, and with the band already falling from the spotlight, Dess and Oort didn’t have a reason to keep going. Dess made a go at a solo career, and Oort got married and had two kids.

Decibel Jones is Arthur Dent meets Lady Gaga; he’s a stranger out in the galaxy, but he tries very hard to treat everything with the practiced disinterest you expect from a rockstar. And if you don’t like Dess, then you will like Oort, who is the epitome of steady – the rock that kept the Absolute Zeros together while they lasted.

Valente has presented an excellent example of my favorite kind of science fiction, the kind that has gone out to space to have fun. She has taken cues from The Hitchhiker’s Guide to the Galaxy, which is the gold standard funny sci-fi book.

Valente dedicates paragraphs to the history of an alien species or the peculiarities of its home world – a convention that Douglas Adams used liberally in Hitchhiker’s. Her story is brief, but the world she has built is populated with so many interesting characters that SPACE OPERA has only just scratched the surface.

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56 Days By Catherine Ryan Howard

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When the pandemic started, many people – including myself – thought that no one would want to read fiction set during this time. On top of the fact that this is a disaster we are all living through, everyone was stuck in their homes learning to make their own bread and hoping they had enough toilet paper. Who would want to read about that?

You can imagine my surprise when covid-centered books began to trickle in.

Not to mention the surprise I am feeling now, recommending one of these books to you.

56 DAYS by CATHERINE RYAN HOWARD is set in Ireland at the very beginning of the pandemic. Two people, Oliver and Ciara, went on a date 56 days ago after meeting in a supermarket queue; 35 days ago – when Ireland’s lockdown began – they were both facing two weeks alone in their apartments and decided to quarantine together. Today, a team of detectives arrived at Oliver’s apartment, where they found a decomposing body in his bathroom.

As they sift through the evidence, we jump back to moments from the past eight weeks. Seeing the story play out from both Oliver’s and Ciara’s perspective.

Oliver is new in town, working at an architecture firm run by one of his brother’s friends. He is staying in a lavish, company-owned apartment. Ciara works customer service at a cloud computing company and lives in a tiny studio apartment nearby.

When lockdown began, they were really hitting it off – texting constantly and feeling like they could not go two weeks without seeing each other. With few friends in the city and Oliver in possession of a second bedroom to Ciara’s zero, it seemed like the perfect time to try living together. But they were both keeping secrets, and soon one of them would be dead.

When Oliver first sees Ciara, he suspects she is a journalist. He has been harassed by the press before, and decides to play along with her for a bit to see if he can figure out who she works for. But as he gets to know her better, his suspicions ease.

Ciara has barely any social media presence, and a quick call to the cloud computing firm she works for verifies that she really does work there. So Oliver lets his guard down, and begins to feel like the two of them really could be happy together.

What the reader doesn’t know yet is that Oliver is a convicted murderer. When he was a child, he and a friend were responsible for the death of a younger boy.

When the lockdown comes he sees it as a chance to let Ciara get to know him before she finds out what he did – to get to know the person that he is now, without the context of who he used to be.

For her part, Ciara is mostly alone in the world. Her mother is ill, and she and her sister barely talk. After a slightly awkward first meeting, she and Oliver seem to be really clicking, and she is eager to get to know him better. Everything else we know about Ciara is a lie.

56 Days is designed to keep you on your toes. As we see more of their lives, and discover more of their secrets, everything we know about Oliver and Ciara changes – recontextualizing every moment of their short history.

The most jarring example of this change is the moment they met, 56 days ago. The scene in the supermarket queue is repeated multiple times throughout the book.

First we hear Ciara’s perspective – surprise when Oliver addresses her, her first impression that he is someone who moves through life easily, and her choice to shut down their conversation or let him into her life.

Later in the book we hear Oliver’s – suspicion that he’s seen Ciara five times this week, even though he’s gone to lunch at a slightly different time every day, and interest in the bag she’s carrying.

When we hear their first meeting for the final time, the implications have come into focus. We know who they both are, we know what they have both done, and we know why Ciara has followed Oliver into this market five days in a row.

But, just when you think you know everything, 56 DAYS still has another secret up its sleeve.

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