Meddling Kids by Edgar Cantero

Teenage sleuths are all well and good, but what becomes of them when they grow up?  In Edgar Cantero’s “Meddling Kids” we meet the Blyton Summer Detective Club – a group of grown-ups who spent the summers of their formative years solving mysteries in Blyton Hills, Oregon.

Thirteen years ago, they solved their final mystery: the case of the Sleepy Lake monster. Two boys, two girls, and one dog put a man in jail for impersonating a monster and attempting to steal the fortune said to be hidden in a local abandoned mansion. On that fateful night, they solved their case, but the deeper mysteries of the mansion have haunted them ever since.

Now in their mid-twenties, the four members of the Blyton Summer Detective Club have gone their separate ways; they lead broken, unstable lives in various parts of the country:

  • Peter Manner, the leader, moved to Hollywood and became a famous actor, but he was fighting his own demons and killed himself before the action of this book.
  • Nate Rogers, the resident supernatural expert, has spent the intervening years checking himself in and out of mental institutions. He is currently at an institution in Massachusetts, where he is hoping to rid himself of a hallucination of Peter’s ghost.
  • Kerri Hollis, the brains of the group, moved to New York where she works at a bar, plagued by nightmares and unmotivated to finish college.
  • Andrea (Andy) Rodriguez – the muscle – is a vagrant with active warrants out for her in multiple states, and an as-yet-unrequited, decade-old crush on Kerri.
  • Rounding out the group is Kerri’s Weimaraner, Tim, the great-grandson of the original mystery-solving dog.

Andy is convinced that something has cursed them, and that solving the mystery of the abandoned mansion is the only way for them to move on with their lives. She convinces Kerri and Nate to join her, and the three humans, one dog, and one ghost/hallucination make their way to the house in Blyton Hills where everything began.

“Meddling Kids” is a high-energy romp, complete with wacky hijinks and suspicious townspeople. It has mysterious messages, intricate traps, and secret passages. But it is also a horror story with actual monsters for our grown-ups to battle – and an evil force waiting to be set free. It’s Scooby-Doo in the world of Cthulhu.

The story moves forward at break-neck speed; the mystery getting more complicated at every turn. Cantero’s love of pop culture beats at the heart of this book, though some references are more subtle than other – I’m looking at you, Zoinx River.

Cantero bounces back and forth between traditional dialog and movie-script-style dialog (complete with stage directions) in a way that I found compelling. He plays with language throughout the book, making it clear that he had as much fun writing it as the reader does reading it.  I look forward to seeking out more of Edgar Cantero’s work, and I hope that you give “Meddling Kids” at try.

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Renegades by Marissa Meyer

Around the holidays I kept seeing the same book for sale everywhere I looked — “SUPERNOVA.” I was drawn to the beautifully drawn cover and the mysterious figure of a girl in a red cape. And then I noticed the author’s name — MARRISA MEYER. One of my recent favorites!

If you’re not familiar with Meyer’s work, she wrote a popular series called “The Lunar Chronicles” several years ago, and I read every single one of them and loved them. How can you go wrong with a Cinderella story featuring a cyborg? Yes, I said cyborg. Seriously, it is so good!

I digress, but it’s hard to mention Meyer without taking about “Cinder” and the other books in her “Lunar Chronicles” series. But the real story here is Meyer’s newest series, “Renegades.” The interesting book I kept seeing was “Supernova,” the third and final book in the series.

In “Renegades,” Meyer has created a world where there are prodigies — people who have been born with or later acquire special skills. For years, prodigies were feared, marginalized and even killed. Then along came Ace Anarchy — a powerful prodigy who took down the establishment and caused Gatlon City to become a place of chaos. His group became known as the Anarchists, and during his time in power, there was not a formal government, allowing for the rise of gangs, violence and many deaths. From this time of anarchy rose a powerful group of prodigies who began fighting to help the greater good. These superheroes, soon known as Renegades, were eventually able to beat the Anarchists, take over, and set up a form of government run by the original group of Renegades, known as the Council.

After a brief prologue, the story starts 10 years after the Renegade Council took over and follows the main characters, Nova, the niece of Ace and Adrian, the adopted son of two of the Renegades.

Fifteen-year-old Nova Artino (aka Nightmare) was taken in by her uncle Alec (aka Ace Anarchy) after witnessing the murder of her parents and sister at a young age. She grew up with the Anarchists and, after the battle that destroyed her uncle, she vowed to get revenge and destroy the Renegades. A plan is developed by the remaining Anarchist, and soon, Nova is working to infiltrate the Renegades.

Adrian Everhart (aka Sketch) has a lot going for him. His parents are both Council members, as a Renegade he and his friends — Oscar, Danna and Ruby — fight crime daily, and he has one of the coolest superpowers, being able to give life to practically anything he draws.

Both Adrian and Nova have secrets they want to keep, but soon their paths cross and they will have to decide what is more important and how they will choose to live.

The heart of the book is good versus evil, but as with real life, there are grey areas, and Meyer does a good job exploring that in her three-book series. All three books are interesting, and after finishing the final one, I am mostly happy with how Meyer decided to tie up the loose ends and how the conclusion came about. Because I read all three books, I don’t want to give away too much. I will just say this — most readers will be surprised by the dramatic twist at the end of the first book.

Jeana Gockley is the director for the Joplin Public Library.

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No Ivy League, written and illustrated by Hazel Newlevant

There’s no denying that art has power. A work of art in any form can stop you dead in your tracks, take your breath away, send chills down your spine. It can elicit a bold, dramatic response–an experience so vivid that it’s as memorable as the work of art itself.

Sometimes, though, art exudes a quiet power–less shockwave and more a resonance that grows deeper and richer with time, drawing you in over and over, changing you in the process.

Hazel Newlevant’s graphic novel No Ivy League has that quiet power, wrapping it in an unassuming package. While the book appears to be a slow-moving memoir of a summer job washed in monochromatic watercolor (don’t let the full-color cover fool you), it is an exquisite glimpse at the lives of contemporary teens.

Author and illustrator Newlevant describes her first job, a summer stint with the local parks department during high school. Hazel is a seemingly average teen in Portland, Oregon, who happens to enjoy reading, video games, hanging out with her friends, and making art. She’s trying to save enough money to see her favorite band in concert in the fall, so at her parents’ suggestion she applies for a spot on one of the city’s youth conservation crews; she gets a job cleaning out invasive ivy at a park. She spends the summer learning about herself and the diverse group of people she works with, discovering that the world around her is a far bigger and more intricate place than she ever imagined.

There’s little plot description because there’s not much plot to describe. Hazel’s story is a meditative character study examining self-discovery, particularly that time when teens first realize that there is life outside their own bubble. Newlevant depicts adolescence in all its naive, cringeworthy, optimistic, angry, despairing gloriousness. In doing so, she opens Hazel’s eyes (and ours) to the shades of grey present in a previously black-and-white world. Words and actions that may seem like jokes to some may be far from it for others. Perspectives on justice and “doing the right thing” may vary widely depending on experience–experiences determined by skin color and economic opportunity. Hazel begins to see and acknowledge the differences between herself and other teens on her team, discovering that her secure, stable life isn’t universal.

Newlevant deftly weaves nuance throughout the book. The realistic dialogue (including Hazel’s interior dialogue) sounds immediate and lifelike without being over the top or trying too hard. Same goes for the art. As you read, the chapter title spreads progress from fully covered in ivy to a space almost cleared. When another teen taunts her, the laughter written on the page chases Hazel away. Invasive ivy creeps toward Hazel threatening to entangle her after being shaken to her core by a family secret. Newlevant’s work shows just enough detail to serve the story–these aren’t overly busy panels–and has a slightly misty quality (as memories do) thanks to a hazy watercolor wash.

Newlevant’s nuance is evident as she thoughtfully relates discovering the role privilege played in her upbringing, “This book is about a pivotal summer in my life. It poked a hole in my familiar bubbles and complicated my understanding of the world. It was a multi-car pileup of race, class, gender, and teen hormones…It’s incredible, believing over and over again that you’ve figured things out–only to stumble on new ways your place in society shields you from the truth. I really didn’t know anything. Maybe I still don’t.”

No Ivy League offers up its insights in quiet, thoughtful ways and leaves a quiet, thoughtful power in its wake. It’s a realistic slice of adolescent life in all of its raw, complicated messiness. This isn’t a book for readers wanting heavy, plot-driven action or a sanitized depiction of teenagers. It is a title for adults and mature teens who are patient readers interested in character development, realism, or examining society. A variety of teen lives are depicted; strong language and some sexual references are included.  No Ivy League and many other amazing memoirs in graphic novel format are available at the library. Stop by and see what we have to offer!

Never Caught, the story of Ona Judge by Erica Armstrong Dunbar & Kathleen Van Cleve

In preparing for the library’s Black History Month celebration on Feb. 22, I chose to read Erica Armstrong Dunbar and Kathleen Van Cleve’s young readers edition of “NEVER CAUGHT: THE STORY OF ONA JUDGE.”

Ona Maria Judge was born into slavery around 1773 or 1774 at George Washington’s Mount Vernon to Betty, an enslaved woman, and Andrew Judge, a white indentured servant. Dunbar and Van Cleve tell the story of her birth, early life and eventual escape from her owners, George and Martha Washington.

As a young girl, Ona becomes one of Martha’s favored slaves, a fact that brings her to Philadelphia and New York with the Washingtons as George prepares to lead a young United States of America out of England’s shadow. While in Philadelphia, Ona meets free black people for the first time and learns about Pennsylvania’s Gradual Abolition Act, which enables enslaved people to be freed after six months if they move from another state to Pennsylvania. After she returns to Mount Vernon, freedom weighs heavily on her mind: “While she understood that some slaves at Mount Vernon looked at her with envy because she was Martha’s favored attendant, she now had seen for herself that there were black people who lived without being anyone’s slave, favored or not.” Her experiences in Philadelphia remain with her for several years until 1796, when she finally makes her escape.

Although Ona’s story is largely absent from our historical texts, the authors pull from a sparse historical record to construct an engaging story of a courageous and determined woman.

In the author’s note that precedes the story, Dunbar states that Ona’s story “will make you think differently about everything you have learned regarding American history.” While that is a tall order, I do believe that Ona’s story adds nuance to a very polished period of history.

In “Never Caught,” readers learn about the ways in which slavery shaped this nation in its infancy. Most importantly, we learn individual details about people who, thanks to Dunbar and Van Cleve, are no longer relegated to a distant, fading past. In addition to Ona Judge, readers learn about Hercules, an enslaved chef who was highly favored by the Washingtons, and Richard Allen, a free black preacher and abolitionist in Philadelphia.

Dunbar and Van Cleve do not make concessions for George and Martha Washington in regard to slavery. The authors note how they and their paid staff made a concerted effort to keep the Gradual Abolition Act out of the Presidential House, going so far as to rotate Ona and others between Philadelphia and Mount Vernon on a six-month basis to avoid emancipation. They acknowledge the gaps between the president’s comments on slavery and his actions. The authors are also blunt in their condemnation of slavery, stating, “Human nature was allowed no outlet in the emotional life of the enslaved,” and, “Slavery was brutal. Slavery was immoral.”

Acknowledging the sins of important historical figures can be challenging; at times, one may feel that they must choose between disregarding the person or their negative acts.

In “Never Caught: the Story of Ona Judge,” Dunbar and Van Cleve show how to discuss historical figures with nuance. George Washington was a revered military leader and president, and he also owned slaves. There is room in his legacy for both things to be true.

The book’s front and back matter are also worth mentioning. Dunbar and Van Cleve include a map of relevant places, a table of contents, a timeline, a newspaper interview with Ona Judge as well as a bibliography detailing the resources used in writing this book. The book is a captivating and important account of a woman largely absent from historical texts.

Finally, the young readers edition was adapted for middle school-aged readers. While it doesn’t shy away from the brutality of slavery, the authors manage to explain difficult ideas in an age-appropriate manner.

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Who Says You’re Dead? Medical and Ethical Dilemmas for the Curious & Concerned by Jacob M. Appel, MD

The trolley problem is a hypothetical thought exercise meant to test where you stand on an ethical dilemma. If you have not heard of the trolley problem, this is the description via Wikipedia:

There is a runaway trolley barreling down the railway tracks. Ahead, on the tracks, there are five people tied up and unable to move. The trolley is headed straight for them. You are standing some distance off in the train yard, next to a lever. If you pull this lever, the trolley will switch to a different set of tracks. However, you notice that there is one person on the side track. You have two options:

  1. Do nothing and allow the trolley to kill the five people on the main track.
  2. Pull the lever, diverting the trolley onto the side track where it will kill one person.

What is the right thing to do in this situation? Is there even a right answer?

This situation is not particularly relevant to most of us, but Who Says You’re Dead?: Medical & Ethical Dilemmas for the Curious & Concerned brings perhaps more realistic scenarios to the table and asks, what would you do?

Each chapter deals with a certain topic (such as body parts, the mind of a doctor, and end of life issues) and presents a brief dilemma related to it. According to the author, some of these are from news headlines, some are completely made up, and some are from his own personal encounters from working at various clinical institutions, just disguised well to remain confidential to the parties involved.

Going on a first date? Maybe the best way to get to know them is to ask where they stand on a person’s choice of having a fiberglass horn implanted in their skull to resemble a dinosaur. In a serious relationship and thinking about kids? Maybe discuss whether you would want to try an experimental heart transplant that involves a chimp being euthanized to save your 5-year old, which might not even work. You might learn a thing or two about your spouse. Okay, maybe don’t do quite that, but you get the point. These are sensitive topics and require more than just a quick on-the-spot answer. Luckily, after each question, there is a brief reflection that looks at the topic from a medical/ethical standpoint. The purpose is more about discussion, rather than to try and sway the reader one way or the other. Supreme Court cases are referenced, as well as research done by the CDC and other medical entities.

While reading this book, the first thing that came to mind was a recent grisly, yet fascinating, news story. A man donated his mother’s body to the Biological Resource Center (BRC) for alzheimer’s research, and later found out that she was sold to the military and used in an IED blast test. Clearly the parties involved needed a lesson in ethics, because they received some 5,000 bodies donated to them for scientific purposes and instead harvested their organs to sell them. A lawsuit was filed by the man and 19 others who experienced similar situations. In court BRC’s attorney claimed that the plaintiffs signed consent agreements that said bodies could be dis articulated. The Biological Resource Center was ordered to pay $58 million to donors’ families and they are now permanently closed. What led BRC to believe that their actions were justified?  The topic of ethics is complex and there are plenty of factors that go into decision making. Hopefully this book can help add to your arsenal of thinking practically and with empathy.

I would recommend you take your time with this book. All in all, there are 79 dilemmas, and each deserves their fair share of introspection. Do some research before coming to a conclusion, as should be done with other topics. In the back of the book there is a “sources and further reading” section that may help if you get stuck and cannot make a decision either way. It is not a bad thing to be hesitant in these situations. It is a good exercise and you may learn a thing or two about yourself.

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“Shuk: From Market to Table, the Heart of Israeli Home Cooking” (Einat Admony and Janna Gur) by Lisa E. Brown

Do you know what a shuk is?

I must admit that the term was new to me when I came across a cookbook here at the Joplin Public Library. Thankfully, the opening pages of Shuk: From Market to Table, the Heart of Israeli Home Cooking by Einat Admony and Janna Gur define the term in detail. Simply put, a shuk is an open-air marketplace in towns and cities where Israelis flock to buy produce, meats, spices, and so on.

Although I was previously unfamiliar with the term “shuk,” I’m no stranger to food from Israel and its neighbors. In fact, being fond of “appetizer” meals, I’ve been known to put together a platter of pita, labneh (a tangy, yogurt-based cheese), za’atar-spiced tomatoes, baba ghanoush (eggplant dip) and hummus (chickpea dip) for dinner. Needless to say, I was eager to delve into this cookbook!

If you are new to Israeli cooking, never fear. Shuk is very user-friendly.

There are excellent glossaries that cover popular ingredients, from tahini (sesame paste), to preserved lemons, to the above-mentioned za’atar, a mixture of herbs, sesame seeds and the delightfully sour, beautifully colored sumac.

And if you are worried about where to find the more exotic ingredients in our area, never fear. Fox Farm Whole Foods carries many of them, and there’s always the Internet. Many of the vegetables can be found at area farmers markets such as Joplin Empire Market and Webb City Farmers Market – in season, of course.

The photographs are gorgeous, a feast for the eyes and a temptation to the stomach. So colorful and zesty, they leap off the page and invite you to try the dishes.

One of my favorite aspects of Shuk is how it highlights individual shuks, exploring them with images and words. It offers helpful hints on the story behind the shuks, the vibe and when to visit. As someone who loves to travel, it brings home the local flavors and colors of Israel.

And the recipes. I can’t neglect to mention the recipes!  So much yum and goodness for all palates.

I went through Shuk page by page, marking recipes that I wanted to try with little bits of paper. And there were many of them!

I was intrigued by the Israeli Salad. For years I have relied on the Israeli za’atar salad recipe from one of my old Moosewood cookbooks, but Shuk’s includes carrots, which I never would have thought of adding. I’m sure this particular vegetable brings a crunchy sweetness to counterbalance the tartness of the lemon juice and sumac.

And then there’s the Quinoa Tabbouleh with Kale and Dried Cranberries. I love traditional tabbouleh, in all its tomatoey, herby goodness. But it’s a summer salad, and I try to cook seasonally. However, making it with kale and cranberries makes it perfect for fall and winter.

Much to my delight, there were multiple pages covering that gorgeous nightshade vegetable known as eggplant. I adore eggplant. (It’s not for everyone, I agree, but I would contend that if you don’t like it, you just haven’t had it prepared the right way.) Here there are recipes for basic dips and spreads, as well as an intriguing Sweet and Sour Baked Eggplant.

And the humble chickpea gets its due, as well, along with its partner in sesame goodness, tahini. Did you know that if you soak and boil dried chickpeas with a little baking soda, it can transform your hummus into something especially silky and smooth?

Looking for meatier fare? There are dishes that utilize chicken, seafood, beef and lamb.

And we can’t forget the desserts! The tahini shortbread cookies sound delicious, and I also tagged a recipe for Fresh Orange Pound Cake that I fully intend to try.

I’ve just touched on a handful of reasons why Shuk is a terrific new addition to the world of cookbooks, but see for yourself. You can find it shelved with the new non-fiction at the Joplin Public Library.

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Counting your read books — how many will you read in 2020? by Jeana Gockley

The end of the year and the start of a new one is typically the time for readers to reflect on what they have read during the past year. And this year, I’m excited to get to be one of them, because I finally remembered to keep track of my year’s worth of reading. Huzzah!

I had not tracked my books read since first grade — that year, my total was 300, and I enjoyed a lot of “Book It” personal pan pizzas from Pizza Hut. But last December, I noticed several of my friends had tracked their 2018 books, so I thought I would give it a try.

Fast forward 12 months and I’m happy to report that I finished 30 books. It is not quite on par with my 300 titles from first grade, but I will take it. Life feels a bit busier nowadays, and the books I currently read are a tad longer.

Of those 30 titles, here are my top six picks, in no particular order:

• “A MAN CALLED OVE” by FREDRIK BACKHAM. Even though Backman has been popular for several years, this was the first one I’ve read by him. I loved it! The characters in this book are exceptionally drawn and real. Ove might seem like a crotchety old man on the outside, but underneath he’s a warm and kindhearted old grump who is beyond lonely. His busybody neighbors help rectify this, and man, what a good read.

• “CIRCE” by MADELINE MILLER. I listened to this one using our Overdrive service, and it was a powerful experience. Most everyone has heard of the Greek character Circe, the sorceress who famously turned men into pigs. But in Miller’s retelling of this tale, you learn so much more. The storytelling elements of this book are spot on, and readers will be hard pressed to not peek ahead while reading.

• “THE TEA GIRL OF HUMMINGBIRD LANE” by LISA SEE. I not only learned an amazing amount about tea from this book, I learned a lot about the Aka, a native tribe that live in the mountainous areas of China. See had to do a lot of research to pull this one off, and it shows in her descriptive and thorough writing. The characters, who are flawed, well-rounded and beautiful, combine with the unusual setting and compelling storyline to create a masterpiece of fiction.

• “THE STORY HOUR” by THRITY UMRIGAR. This is the story of Maggie, an American psychologist, and Lakshmi, a young Indian woman. The pair meet after Lakshmi tries to commit suicide, and Maggie is so affected by the woman and her silent grief that she agrees to counsel Lakshmi on a pro bono basis. Soon, they start to feel and act more like friends and less like doctor and patient. This makes for a complicated relationship and a fascinating story. You get to know Lakshmi’s backstory and the reason she felt like suicide was the only answer, and you get to learn about Maggie’s life at the same time. The story is engrossing and the ending has a nice surprise twist that will have readers guessing until the end.

• “EVVIE DRAKE STARTS OVER” by LINDA HOLMES. I wrote a full review for this one in October but could not pass up a chance to mention it again. Holmes’ writing style is quirky and captivating. Her tale of a guilt-ridden widow and a former Major League Baseball player will keep you interested until the final pages.

• “MRS. EVERYTHING” by JENNIFER WEINER. Jennifer Weiner is one of my favorite authors. If she writes it, I will read it. “Mrs. Everything” does not disappoint. Told through the alternative viewpoints of two sisters — Jo and Bethie Kaufman — from early childhood into their senior years, she weaves a story of love, loss and, ultimately, forgiveness.

I have enjoyed seeing my final reading list so much that I’m making one of my 2020 goals to do it again. I am not sure I will surpass 30, but we will see. Thanks for taking the time to share in my reflection and reading about my favorites. I wish you a wonderful new year of reading!

Jeana Gockley is the library director for the Joplin Public Library

An Elderly Lady Is Up to No Good by Helen Tursten Review by Patty Crane

Helen Tursten is a Swedish mystery writer with two very successful series featuring detectives. However, when asked to write a story for a Christmas anthology she decided to explore the other side of the law and Maud was born.

An Elderly Lady Is Up to No Good is a collection of five short stories featuring Maud, a wily, self-contained octogenarian. Maud leads a quiet solitary life in Gothenburg and that is just the way she likes it. Her large apartment is rent free and with shrewdly amassed savings she is able to live comfortably and travel when and where she wants.

The stories revolve around her determination to keep her life just as she wants it. In the first Maud finds herself the focus of a new neighbor, Jasmin Schimmerhof. Jasmin is the daughter of Swedish celebrities and has turned much of the space in her new apartment into an art studio. Her 450 square foot apartment doesn’t allow much room for the large sculptures she creates. After breezing her way in, it appears she thinks Maud’s spacious 1000 square feet is more suitable for her masterpieces.

When Maud’s father suffered a fatal heart attack the only thing he left of value was the apartment building they lived in. When it was sold the lawyer added a clause that allowed the widow and her two daughters, Maud and Charlotte, to keep their apartment and live rent-free for the duration of their lives. Maud is the only one left and has been triumphant in any challenges to her rent-free status. Jasmin seems to believe that the elderly Maud can be manipulated. To her peril she doesn’t realize what Maud is capable of in defense of her coveted thousand square feet.

Maud is not only protective of her space but also the people she loved. Before her father’s death, she was engaged to Gustaf and very happy. When her father died and was not the rich man he appeared to be, Gustaf’s family ended the engagement. He eventually married and was widowed.

In the second story, ‘An Elderly Lady on Her Travels’, Maud (who has always kept track of Gustaf) learns that he, now 90, is about to marry a woman 35 years his junior. Zazza, the bride-to-be, was once a student of Maud’s and she suspects that love is not the reason Zazza is marrying Gustaf. The wedding will take place at the Selma Spa. Maud has never been to a spa but immediately books a visit. The spa’s amenities are much to Maud’s liking and as it turns out provides her opportunity to ensure Zazza won’t be taking advantage of Maud’s former fiancé.

Maud is very resourceful in how she deals with problems. In story three the problem is her upstairs neighbors. The husband is abusive and all that yelling, crying and thumping is very disturbing. After the wife needs to be hospitalized for ‘falling down the stairs’ things are quiet for a few months. When the abuse begins again, Maud devises a simple but appropriate plan to make sure the abuse stops and quiet is restored.

The last two stories are connected.  The first, ‘The Antique Dealer’s Death’, begins with Maud’s discovery of a dead man in her father’s study. It unlike the other stories is not told by Maud but by the neighbor who identified the body and by the police. It appears the deceased may have been in the act of stealing the silver when he was attacked. He is identified as the local antique dealer. How did he know about Maud’s collection and if he had an accomplice, who is it?

The final story, ‘An Elderly Lady Is Faced with a Difficult Dilemma’, is back in Maud’s voice. We find out just how and why Frazzen, expert in gold and silver, came to be in Maud’s home. We also witness more of Maud’s cunning, ruthless style.

This a small book and a very quick enjoyable read, especially if you like unusual characters. As the author says of Maud, “I enjoyed every minute of her company. But let’s just say I would not like to have her for a neighbor or a relative!”

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Dear Fahrenheit 451 by Annie Spence

Librarians love books. We love the smell and the feel of books. We love the weight of knowledge that you feel just holding a book in your hands. But sometimes, you find a book that just makes you want to throw it against a wall. Or bury it in your yard. Or – fellow librarians, cover your eyes – set that book on fire.

In “Dear Fahrenheit 451: Love and Heartbreak in the Stacks,” librarian Annie Spence writes letters to books that have left an impression on her (both good and bad).  From “Matilda” to “The Goldfinch” to “Cornzapoppin’!: Popcorn Recipes and Party Ideas for All Occasions” – Annie has read them all, and she has feelings.

Annie’s letters are well-written and approachable, she mourns her inability to get through “Anna Karenina” and sheds light on the unhealthy relationship at the center of “The Giving Tree.” Each letter is composed like a love letter, or a break-up letter in some cases, and is signed with Annie’s signature. Reading this book feels like reading someone’s personal, and very unusual reading journal.

These letters are hilarious, but also ridiculously informative. If you want to know what series is loved by both semi-truck drivers and precocious children bored of the books in the Children’s Room, Annie can help with that (it’s Agatha Christie’s Miss Marple series).

Annie Spence is a master of a skill essential to library work called “reader’s advisory.” It is skill all about being able to understand and create connections between books. When a patron comes into a library looking for what to read next, we have been trained to help you find something else you will probably enjoy. Annie Spence is here – in book form – to help you find your new favorite books.

Annie is also ready if you need some advice for your life, not just what to read but also Excuses to Tell Your Friends So You Can Stay Home With Your Books (page 177) or Turning Your Lover into a Reader (page 205) – if you find that your significant other is just not that into books.

Reading this book feels like talking to a friend, the reader feels very connected to Annie and her experiences reading books. You can tell just how much she loves reading – and it makes you want to expand your own reading horizons. If nothing else, pick it up so you can truly understand how voracious readers feel about the library from Disney’s Beauty and the Beast (page 163).

If you look forward to reading these book reviews that we at the Joplin Public Library provide every week, then I heartily recommend that you give “Dear Fahrenheit 451” a try.

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Haben: The Deafblind Woman Who Conquered Harvard Law by Haben Girma and Manga Claus: The Blade of Kringle written by Nathaniel Marunas, illustrated by Erik Craddock

One of the things I like best about the holiday season are the stolen moments of quiet amidst the hustle and bustle–lovely, little gifts of reading or listening time when least expected, so I try to have a book of some sort at hand.  Since Thanksgiving weekend, I’ve already managed to squeeze in some titles that were on my hold list. Here are two quick (and vastly different) reads I’ve recently enjoyed and am excited to share with you.

I anxiously awaited Haben Girma’s autobiography after watching a segment on C-SPAN2’s Book TV this fall.  Her interview with host Peter Slen was engaging and entertaining, pulling me in with fascinating stories sprinkled with her great sense of humor.  Her book, Haben: The Deafblind Woman Who Conquered Harvard Law, did not disappoint.

Girma, whose parents immigrated to the U.S. from Eritrea and Ethiopia, grew up in Oakland, California.  She is a graduate of Harvard Law School who currently advocates for people with disabilities. She is an avid ballroom dancer, has climbed icebergs, helped build a school in Mali, surfs and kayaks, has traveled extensively, has pioneered an accessible communication system, and has spoken at the White House.  She also happens to be deafblind.

Haben (pronounced “ ‘Ha’ like ‘ha-ha’ and ‘ben’ like ‘Benjamin’ ”) is full of adventures and insights.  Girma, in her early thirties, describes her journey navigating cultures–American and Eritrean and Ethiopian, inclusionary and exclusionary–with warmth, passion, and wit.  Her voice clearly comes through with confidence and delight.

Biographies are one of my favorite genres because I get to experience the world from different perspectives, meeting interesting people on the page even if I never have the opportunity in person.  Nowhere near the end of her story, Haben Girma already has plenty of insight to offer. In addition to her travels and accomplishments, she shows what it takes to maneuver in a world designed for others, to carve out a space for daily life.  She leads by example and by thoughtful suggestions, inviting all of us to consider ways to open accessibility for people with disabilities.

Charming and astute, Haben Girma’s autobiography is an enjoyable read and a valuable one.  I can’t wait to find out the rest of her story.

What happens when you combine a disgruntled elf, hordes of teddy bears fueled by evil magic, and an author’s obsession with samurai movies?  You get, Manga Claus: The Blade of Kringle, written by Nathaniel Marunas and illustrated by Erik Craddock.  Yes, Virginia, there is a Manga Claus.  He exists as certainly as honor and loyalty and tinsel.  He wields a pair of skillfully forged samurai blades, defending Christmas from threats internal and external and coming to the rescue as surely as he delivers toys every year.

Fritz the elf resents being assigned to the laundry instead of Santa’s workshop.  In a fit of rage with his fist raised to the sky, (“I’ll show him what I can do–I’ll show them all!!!”) Fritz uses an evil spirit to animate a nutcracker in a plot to sideline the workshop.  One thing leads to another, and the evil escapes to create an army of ninja teddy bears bent on destruction. Thanks to his katana and his wakizashi, Santa transforms into Manga Claus and saves the day.

The charmingly cheesy text pairs fantastically with Erik Craddock’s action-packed, blockish-yet-expressive art in shades of red, grey, and black.  (I got a distinct classic Cartoon Network vibe from it.) This slim graphic novel moves quickly yet unveils additional visual details with every read.  It begs to be made into an animated short! It’s a delightful, campy romp that is not designed for people who take Santa seriously.  This is a great title for teens as well as graphic novel fans and folks whose favorite Christmas movies are action flicks.

I can’t wait for the other books on my hold list to come in.  Who knows what treasures will appear before the year is out! If you would like to see what titles the library offers or to place an item on reserve, take a look at our website //www.joplinpubliclibrary.org/ and click on “Search Catalog”.  Library staff are available to help whether you stop by or give us a call at 417-623-7953.  Happy reading!