A Knock at Midnight by Brittany K Barnett

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I had the pleasure of getting to hear lawyer, criminal justice reform advocate, and author Brittany K. Barnett speak at the 2022 Public Library Association Conference in Portland, Oregon, in March.  She was one of the conference’s “Big Ideas” speakers.  Speakers that were invited to share information and ideas that would take the 4,000+ conference members outside of their comfort zones.  

I had not heard of Barnett before, but after her noteworthy, moving speech, I will not soon forget her.  I was so inspired by the content of her talk that I just finished reading her book, A KNOCK AT MIDNIGHT. 

A KNOCK AT MIDNIGHT is Barnett’s story, but also one of others who have greatly impacted her life. Barnett grew up in Texas, the daughter of a loving mother, but one that struggled with addiction. Struggled so much that she ended up going to prison because of it.  Barnett uses the first part of the book to share this deeply personal story and the lasting effect that it has had on her and her family.   

Despite her mother’s addiction, or maybe because of the trials associated with it, Barnett had big dreams. Since childhood she dreamed of being a lawyer, like Clair Huxtable, the only lawyer she “knew” who looked like her, but her path took her to the world of banking and finance first, but eventually, she attended law school.  

Her plan was to become a corporate lawyer; however, while in law school she took a class where she studied legal injustices, and became familiar with the Sharanda Jones case.

Sharanda Jones was a young entrepreneur, in her early twenties, when she became a casualty of America’s War on Drugs campaign and sentencing disparities. In what she and her attorney, thought was an easily won case, due to a lack of evidence, she was convicted to serve life in prison without parole. 

In researching Jones’ case, Barnett saw herself in the young woman. In fact, if circumstances were different, she thought she could have been Jones.  It soon became her mission to do everything she could to get Jones released from prison.  So in addition to working as a busy corporate lawyer during the day, she started working tirelessly on Jones’ case, pro bono, in her limited free time.

And soon, it was not only Jones that Barnett was trying to help; she had a group of people who had been harshly or wrongly convicted of drug-related offenses. All of which involved sentencing disparities. 

Barnett’s book is a powerful work. Devastating and difficult to read, because it is told in such a manner that readers get to intimately know Barnett and the individuals that she works with so closely. These individuals become just more than names on a page or numbers assigned to a prison system. They become someone’s parent, someone’s child, or someone’s friend.  And if like me,  readers will be shocked upon understanding the sentencing disparity between those individuals sentenced for crack cocaine and powder cocaine drug offenses. Barnett’s debut memoir is a must read.

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WE: A New Translation by Yevgeny Zamyatin (translated by Bela Shayevich)

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Some words are worth repeating. If repeated enough and over an elongated amount of time, these words might even be worth refining, reshaping, and repurposing for a new age and for a new context. In Bela Shayevich’s new translation of Yevgeny Zamyatin’s classic dystopian, WE, words have undoubtedly been refined, given a new shape and purpose, and in some cases, just flat out repeated.

This latest translation of a science fiction standard is both refreshing and brilliant. It is refreshing in that it revitalizes a work of literature that was written over a century ago in a foreign tongue–between the years of 1920 and 1921 in the midst of the Russian Civil War–by using contemporary English prose that is both captivating and thought provoking. It is brilliant in that it uses said prose to bewitch the postmodern reader into believing that this work was written for them. Detach Zamyatin’s name and context from this work, and remove the hundred year gap between today and the work’s original audience, and one is left with a beautifully written novel about the perils of totalitarian authorities, the dystopian reality of a utopic vision, and the consequence of dissent. Shayevich’s translation is written for “us,” or for the “we” of today.

That said, not even a snake could writhe or contort out of Zamyatin’s contextualized grip on this work; and rightfully so, as WE was written for, to, and in a very specific time and context. While the idea of disassociating this work from its proper context in order to reveal the timelessness of its themes and meanings is enticing, it is also somewhat futile. For, the contextual background surrounding the composition and publication history of this novel is part of what makes this work so intriguing and impactful. Written in the throes of the Russian Revolution, Zamyatin and his works were suppressed by Soviet authorities. Though the novel was completed in 1921, it wasn’t published until 1924; and that publication was an English translation of Zamyatin’s work. After its original completion, WE became the first banned book by the Soviet censorship board. A Russian edition of the book wasn’t formally published in the Soviet Union until 1988–fifty one years after the author’s death. Thus, while a primary thread in the novel’s plot deals with chains of events caused by a dissident’s actions, this novel’s fictionalized happenings serve as a metanarrative of Zamyatin’s real-life circumstances, as the consequences of his actions mirror the themes of suppression and “unfreedom” described in the novel.

Shayevich’s translation is bolstered by a well written introduction by Margaret Atwood, author of The Handmaid’s Tale, whereby she eloquently situates this novel within its historical and literary context. Add the two essays that are tacked on to the back end of this new translation, and one is in for a rather enjoyable read. The first essay is a review of Zamyatin’s original work, written by George Orwell, the author of 1984. The second essay imagines Zamyatin as his own primary protagonist fending off the forces of Stalinsim. This essay was written by famed sci-fi and fantasy writer, Ursula K. Le Guin. These three reading materials are treasures in their own right. Place a genre defining work of art in the middle of them, and one is in for a real treat.

The primary protagonist of Zamyatin’s WE is D-503. Born within a world whereby individuality is a criminal offense and “unfreedom” is the ultimate goal of existence, D-503 is an exemplary cog in the autocratic machine he serves. In this state of being–known as the One State–rationality reigns supreme. While detailing the mathematical calculations involved in designing the One State’s “table of sex days”–a scheduled hour of time whereby each member of society is allowed to engage in intercourse with an assigned member of the oppsite gender–D-503 suggests that “[f]rom this, you can see how the powerful force of logic purifies everything that it touches. Oh, if only you, unknown readers, could also come into the light of this sacred force, if only you could also learn to follow it to its conclusion.”

Detailed through a series of log entries, D-503 acts as the story’s narrator while he describes the completion of the INTEGRAL, a massive ship that will be used to transport the message of the One State to the far reaches of outer space. Serving as one of the builders in charge of mathematics for this project, D-503 makes use of every opportunity given to explain the One State’s superiority over all other civilizations. Beginning with the One State’s decimation of all but .2 percent of the world’s population, thus putting an end to the the infamous Two Hundred Years War, and ending with his extremely personal struggle between the superiority of cognitive freedom and the allure of human emotions, D-503 paints a vivid picture of what it is like to serve the One State.

Throughout his story, readers surmise the impact that this fictional society has upon its individuals, even when said society is attempting to squeeze individuality out of its members. In D-503’s logs, readers encounter the ever present eyes and ears of the Benefactor–the One State’s all powerful, supreme ruler. This omnipresent awareness of the Benefactor is aided by the One State’s civic infrastructure. All of the buildings in this society, with very few exceptions, are made entirely of glass. Blinds are placed within living quarters, but are prohibited from use outside of “the sex times” mentioned above. Additionally, citizens are subjected to forced curfews and are only allowed to deviate from their “table of hours”–a detailed schedule that all citizens must follow–if given permission via a government appointed doctor.

At the start of his log entries, D-503 is paired with O-90, his appointed female counterpart who is just as happy with her place in society as he is. “O,” as he affectionately calls her, is registered as a non-child bearing female due to her being “10 centimeters shorter than the required Maternal Norm.” D-503 and O-90 are paired together due to logic and rationality. This is a stark contrast to D-503’s relationship with a woman he is introduced to early on his logs, I-330. The inconsistent emotions and lack of logical, calculated awareness D-503 displays whilst in I-330’s company produces the conflict needed to make this story work. While “O” is a conformed member of society throughout most of the novel, “I” is rebellious and serves as the primary instigator of dissent within “D-503’s” world.

As D-503 and his companions discover secret truths concerning the One State and the mysterious Green Wall that marks its borders, a seed of revolt begins to grow within. The budding of this seed, coupled with some engaging translation work on Shayevich’s part, provides the readers with an engaging and well developed story. However, be fair warned. This is classic science fiction. Ideological and philosophical musings are laced throughout D-503’s log entries. Thus, if one finds Asimov’s Foundation series off-putting, this might not be the book for them. Yet, if one is into classic dystopian tropes and storylines, this story might be the perfect fit, as it serves as one of the primary forbearers of such tropes and storylines, alongside Jack London’s The Iron Heel.

For those interested, this fantastic new translation is located in the New Fiction section of the Joplin Public Library.

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A Trio of Oceanic Fun for All Ages

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The Brilliant Deep: Rebuilding the World’s Coral Reefs by Kate Messner, illustrated by Matthew Forsythe

Kraken Me Up by Jeffrey Ebbeler

Shark Lady: The True Story of How Eugenie Clark Became the Ocean’s Most Fearless Scientist by Jess Keating, illustrated by Marta Alvarez Miguens

This year’s summer reading theme is “Oceans of Possibilities”, and it is loads of fun! Whether it’s the great activities or whimsical decor or the nifty reading challenges, there’s something for everyone here at the Joplin Public Library!

As a longtime fan of seafaring novels and fly fishing nonfiction (L.A. Meyer’s Bloody Jack series, the Master and Commander series by Patrick O’Brian, ocean fishing accounts by Thomas McGuane and Randy Wayne White, to name a few), I’ve loved this summer’s deep dive into books about waterways, sea life, and boat travel. I’m excited to share a trio of gorgeously illustrated children’s books with all-ages appeal that tie into the summer reading theme. I accessed electronic versions of these titles through the Libby app offered by the Library.

First up is the hilarious Kraken Me Up by Jeffrey Ebbeler. A graphic novel for early readers, it employs expanded visual supports to strengthen reading comprehension. With a mix of traditional comics panels and two-page spreads, the layout invites readers into the charming story of a little girl and her pet sea monster. There’s a pet show at the county fair, and you can see where that’s headed…

Kraken Me Up is a story of acceptance and understanding peppered with visual jokes in squid ink. Our mackintosh-clad heroine convinces her fellow contestants that there is more to each of us than assumptions based on outward appearances. The kraken’s huge eyes reflect its equally large emotions, including devotion to its tiny friend and sorrow at being misunderstood. Author/illustrator Ebbeler uses digital art to great effect adding nuance to accessible vocabulary for budding readers. Kraken Me Up is also available at the Library in print format.

Next up is a picture book biography of an unsung zoologist and shark specialist. Shark Lady: The True Story of How Eugenie Clark Became the Ocean’s Most Fearless Scientist, written by Jess Keating and illustrated by Marta Alvarez Miguens, also tells a story of understanding as well as persistence. At a time when few women entered STEM fields, Eugenie Clark followed her lifelong interest in sharks (a misunderstood species in her opinion) to a career as research scientist advocating for them. She was the first to train sharks as well as to study caves of still, resting sharks (debunking the myth that they must keep moving to stay alive). Clark was a prolific author who also developed a shark repellent and explored the ocean through scuba and submersible dives.

Jess Keating conveys the facts of Clark’s life and highlights her tenacity with language that is accessible to young readers while creating vivid imagery, “Eugenie’s notebooks filled with sharks. They swam in her daydreams and on the margins of her pages.” Keating adds engaging, helpful sections after the main story. “Shark Bites” introduces nifty facts about the creatures in a colorful, two-page spread sprinkled with accent illustrations while “Eugenie Clark Timeline” offers a similar treatment of the scientist’s career. Throughout the book, Marta Alvarez Miguens masterfully uses color to create a little girl’s dream come true. From young Eugenie at an aquarium imagining herself to be one of the fish to adult Professor Clark studying sharks in their natural habitat, Alvarez Miguens brings them alive with vibrant hues conveying both motion and emotion as clearly as if readers were inside the pictures. Shark Lady is also available at the Library as an animated story on DVD.

A book that I would love to see as an animated story is The Brilliant Deep: Rebuilding the World’s Coral Reefs, written by Kate Messner and illustrated by Matthew Forsythe. A nonfiction title that looks and reads like a picture book, it packages information about coral reef restoration in absolutely stunning artwork.

Ken Nedimyer’s love of the ocean began as a child watching Jacques Cousteau on TV and snorkeling along the coral reefs of the Florida Keys. He studied biology and, as an adult, worked in aquaculture operating a live rock farm where rocks are placed on the ocean floor to provide habitat for mollusks, algae, sponges, and other invertebrates. While working with the live rocks, he noticed that portions of the coral were bleached and devoid of fish and sea urchins. A coral colony near the live rock farm spawned, leading to a growth of coral on it. Ken attached pieces of the new coral to various rocks producing more coral colonies. He eventually started a volunteer group, the Coral Restoration Foundation, to plant the new colonies on reefs around the Keys. The foundation now has an international scope.

Author Kate Messner’s concise, straightforward language incorporates relatable concepts such as describing attaching coral “with a careful dab of epoxy–just the size of a Hershey’s Kiss” or sea urchins as “the gardeners of the reef, tiny groundskeepers who control the algae”. Messner concludes her book with useful resources about coral reef death and restoration plus an immensely helpful illustrated glossary of coral reef structures. Messner’s text creates mental images that are the foundation for the gorgeous art of Matthew Forsythe who opens The Brilliant Deep with a mind-blowing two-page spread of pink and turquoise sea turtles, fishes, and sea stars swimming toward a tiny coral in the distance, haloed by white, resting underneath the words, “It starts with one.” Each page that follows is a treat of color and composition. Deep green ocean flanked with schools of fish and a crab peeking out in the foreground sparkles with a stream of multicolored gametes floating from a reef. A young Nedimyer glows green in the light of rows of fish tanks so lively you can almost hear their hum. Volunteer divers swirl upward through shifting blue as they hang coral on underwater “trees” of metal bars; Forsythe expertly uses texture to create their motion along with that of the water and fish surrounding them. The closing spread ends with the same words as the first, this time printed out on the bay where an older Ken Nedimyer looks out with hope to a yellow-pink sea and sky. Grab this book now and see the brilliant art for yourself!

I hope you have a chance to find these and other amazing ocean titles at the Joplin Public Library this summer!  Happy reading!

A Culinary History of Missouri by Suzanne Corbett and Deborah Reinhardt

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One of my favorite things about traveling is experiencing the unique food and drink of the places I visit. To be honest, I like that as much, in some cases more, than site-seeing. In Missouri, you don’t have to go far before coming across breweries, distilleries, Kansas City barbeque, St. Louis Italian, Sedalia’s State Fair food, wineries, and much, much more. Although it’s less of a “where to eat travelogue” and more of a history proper, authors Suzanne Corbett and Deborah Reinhardt take us on quite the journey in A Culinary History of Missouri: Foodways & Iconic Dishes of the Show-Me-State.

We begin in colonial Missouri with our first European settlers—the French. According to the authors, “Unlike other American Colonial groups, Missouri’s French defined themselves through their food ways.” They made mud ovens in which to bake bread from wheat they grew and milled. The enslaved Africans who arrived with them introduced okra and gumbos into their food culture.

Food itself aside, it was important to Missouri’s French colonists to maintain their food customs, including table settings and cookware. The table was always set! And cookware was largely the same in poor and wealthy households, featuring kettles, pots (iron, tin, copper, wood), baking pans, pudding molds, pepper mills, utensils, etc.

To grow food, they created common fields, which were not unlike today’s community gardens, though a bit more involved. In these fields, people cultivated a variety of row crops. Some of the fields, such as the one in Ste. Genevieve, are still visible today.

Food was very much tied to holidays and tradition. For example, the King’s Cake, “a fanciful cake enriched with butter, incorporating aromatic spices, ground nuts, and fruit glaze” was baked to celebrate Twelfth Night. As it goes, a bean was placed in the batter before the cake was baked. During the Twelfth Night Ball, the King’s Cake was served to all the gentlemen and whoever found the bean in their cake was proclaimed king and got to choose a queen. This celebration is carried on today at the Gateway Arch Museum in St. Louis. Each year, they welcome the public to their annual Twelfth Night Ball.

Another food-related holiday event takes place annually in Ste. Genevieve. La Guignolee, “Missouri’s original New Year’s Eve,” is a celebration in the streets, taverns, and cafes of the Historic District that features dancing, singing, food, and drink. Like the Twelfth Night Ball in St. Louis, Ste. Genevieve’s La Guignolee is open to the public—ring in the New Year like it’s 1769!

The authors take us linear from the 1700s into 1800s Missouri, when the English and Scotch-Irish, and their enslaved African Americans, “arrived from Kentucky, Tennessee, Virginia and Illinois.” Their specialty? Curing and smoking hams. In fact, they were so good at curing and smoking hams that “Missouri became and remains one of the few states included in the American Ham Belt.” Yes, that’s a thing—the American Ham Belt. Portable soup, a sort of predecessor to bouillon, is also of this era. It was a bone broth boiled down to a gelatinous paste then dried and cut and could be reconstituted with water.

We visit Arrow Rock Tavern, which was established in 1834 and is the oldest continually operating restaurant west of the Mississippi River. Soups and stews were its most common fare, with occasional special dishes, such as fried chicken. Fantastically, Arrow Rock Tavern still serves fried chicken daily.

The authors bring to light how food and the introduction of new food to an area can change, or re-establish, food production. For example, when Turkey Red wheat was introduced to Missouri by Russian immigrants in the 1870s, it “revitalized milling operations” when two men bought the old community mill, rebuilt it, and produced “Queen of the Pantry Flour,” which became very popular. It’s interesting to think that if Turkey Red wheat hadn’t been introduced to that area, the mill would have, like so many others, fallen into disrepair and likely eventually been torn down.

I didn’t realize Missouri is home to big-name food brands, such as Aunt Jemima Pancake Mix (which began as Pearl Milling Company Pancake Mix, the namesake which it returned to in 2021 “in an effort to make positive progress for racial equality”) and Saltines. Also, the Golden Delicious apple was discovered and developed in Louisiana, Missouri. Other food discoveries originated in Missouri, too, such as burnt ends in Kansas City, and the first bread slicing machine in St. Joseph.

The railroad had a tremendous impact on food, helping to overcome “regional limitations” by significantly reducing the time it takes to move food, thereby “making more food accessible and affordable.” Moreover, as passenger service increased, so did the demand to dine while in transit. Hence, the dining car (which was preceded by buffet/refreshments cars, not unlike those used by airlines today, though they failed to appease travelers’ appetites).

The Rockcliffe and Garth Woodside mansions, both of which are on the National Register of Historic Places in Hannibal, Missouri, offer a sort of breakfast reenactment in honor of Mark Twain: “Elegant breakfast served in a style that Twain would have approved.” Visitors may also dine at the Mark Twain Dinette, a circa 1940s diner near his boyhood home.

Interestingly, we learn about much more than the history of food in Missouri. We learn, too, about the history of our culture and our people. Take, for example, Crown Candy in north St. Louis. Opened in 1913 by best friends who emigrated from Greece, Crown Candy Kitchen is the city’s oldest operating soda fountain. (And, though it’s not mentioned in the book, I hear they have good BLTs!) Jazz, politics, and sports are among the cultural aspects discussed by the authors.

A culinary history of Missouri would not be complete without touching on Missouri’s breweries and wineries, of which Missouri has (and has had) plenty. The authors discuss German settlement of central Missouri and the “grape lots” that came to be in that area, which lead to the establishment of Missouri wineries. Breweries in St. Louis, as well as other areas, are highlighted, as well as the impact of prohibition on alcohol-related establishments throughout the state.

Not only does this book serve as a culinary history of Missouri, but a cookbook, too. At the end of each chapter, you’ll find the recipes referenced. Here are some that caught my eye: 1830 Chicken Pie, Cowboy Beef and Beans, Saltine Cracker Pie, Fred Harvey Railroad Cole Slaw, and Pioneer Chili.

As always, happy reading and, in this case, happy eating.

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Ocean Books for Summer Reading

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It’s June, which means Summer Reading 2022 is in full effect at the Joplin Public Library. This year’s theme is “Oceans of Possibilities,” and we have planned a summer’s worth of fun ocean events and activities for families. Although we live far from any ocean, books featuring the sea and marine animals abound and are well-loved in the Children’s Department.

I have selected a few of my favorite ocean titles to share, with the common thread being a message of self-esteem and acceptance.

One might feel less than if they don’t have an obvious talent or are not the best at what they do. Your cute and cheerful axolotl friend Dewdrop is here to remind you that you don’t have to be the best to be important. In the end, all that matters is whether you tried your hardest. K. O’NEILL‘s 2020 picture book debut “DEWDROP” follows the eponymous axolotl as they visit and encourage their friends training for a sports fair. A self-described cheerleader, Dewdrop visits Turtle, who thinks she’s no good at lifting weights; Newman the newt, who thinks he stinks at singing; and three minnows, who aren’t sure they are the best chefs.

O’Neill is also the artist behind the lushly written and illustrated “Tea Dragon Society” series for middle graders, and their foray into books for younger children does not disappoint. The illustrations in this picture book are bright, incorporating a lot of emerald green, bright pink, sunshiny yellows, and purples. Dewdrop and their friends, which include a turtle with a headband, a musical newt and culinary minnows, have a Kawaii quality to them, so cute you can hardly handle it. Thankfully, the story and the message are as sweet as the pictures.

Find DEWDROP in our catalog. 

Another ocean title that excels at spreading a message of self-acceptance is JESSIE SIMA‘s “NOT QUITE NARWHAL.” This 2017 book follows Kelp, a unicorn born and raised in the ocean as a narwhal. He knows he can’t do things that his narwhal friends can do, but everyone likes Kelp just the way he is. When a strong current pulls him into shore, he spies a unicorn high on a cliff and realizes he may not be a narwhal after all.

Kelp spends time on land, learning how to walk and, eventually, finding the other unicorns. Naturally, they live under rainbows and frolic through flowers all day. However, Kelp starts to wonder, with a tinge of homesickness, whether he belongs with the unicorns either. After encouragement from both sets of friends, he realizes he is perfect just the way he is: not quite narwhal, not quite unicorn, but fully and perfectly Kelp. The illustrations are reminiscent of newspaper comic strips, and the colors are all soft pinks, blues, and purples, with pops of neon colors. Follow-up book “Perfectly Pegasus” was recently released and is now available at the Joplin Public Library.

Find NOT QUITE NARWHAL in our catalog.

My third affirming ocean title is MOLLY IDLE’s “PEARL.” This picture book tells the story of a young mermaid yearning to be given a job as important as those held by her big sisters. When her mother informs her that she must watch over a single grain of sand, she is crestfallen. Though her mother assures her “the smallest of things can make a great difference,” she feels let down. Over time, Pearl comes to realize the grain of sand is much more significant than she thought. More importantly, she realizes how significant she is.

With “Pearl,” Idle excels at matching the words to the imagery; the story reads like a poem or, more appropriately, a series of waves rolling in. The ocean setting takes center stage, with blues ranging from midnight to turquoise. Pearl stands out with a neon pink tail and flowing, white-blonde hair. Several pages show Pearl’s tail changing direction in front of the blue background, giving the impression of slow-moving, kelp-like waves.

Find PEARL in our catalog. 

I love the gentle affirmations these books provide and am thankful that so many children’s authors are making books like these. For more suggestions, come see us at the library. Don’t forget to sign up for summer reading and check out our summer events!

Crossroads by Jonathan Franzen

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If you are of a certain age, you may recall Jonathan Franzen, even if you have yet to read his work. Think back to 2001, when Oprah selected Franzen’s The Corrections for her book club. This made the literary author decidedly uncomfortable. He publicly stated he considered himself from the “high-art literary tradition” and that so many of Oprah’s selections were “schmaltzy” and “one-dimensional.” Displeased, Oprah promptly disinvited Franzen from appearing on her show. The story became fodder for cable news, so Franzen’s book sales were still assured. (An excellent novel, it would go on to win the National Book Award.)

His latest novel, Crossroads approaches masterpiece status. Franzen is brilliant and has clearly honed his writing so as to jettison what many thought were elements of a show-off from his earlier novels. Still, it’s not for everyone, and I’m not sure it was for me.

It is set in a fictional suburb of Chicago in the early 1970s, Russ and Marion Hildebrandt have four kids, their ages running the gamut. Russ is an associate minister who has been reassigned within his church after being ousted as head of the youth group he created, Crossroads. To add to his humiliation, two of his children subsequently join the group. Russ, who wants nothing to do with his wife, is pursuing a widowed church member; it’s somewhat comedic while simultaneously being all-the-way sad.

Each of the children is struggling in their own way. Clem, away at college, is about to drop out so as to attempt enlistment in the Vietnam War. Becky, as popular as they get in high school, is becoming increasingly intrigued with the counterculture. Then we have Perry, a high school sophomore, a genius, a drug dealer, and an addict. His “manner is seemingly forthright and respectful but somehow neither.”

Perry joins Crossroads as a contrivance, emoting in group sessions. “Because it was a game, he was good at it, and although intimacies achieved by game-theoretical calculation were hard to feel great about, he sensed that other people were genuinely moved by his emotional displays.” Becky sees through his ploy and promptly calls him out for not only manipulating the group but for also being a borderline loathsome person.

Marion, who has her own history of mental illness, is certainly worried for Perry’s mental well-being and for good reason. Russ, meanwhile, has delusions of grandeur by thinking he can save some Navajo land. Yet this is the same guy whose family is disintegrating right before his blinkered eyes.

In his novels, Franzen takes it to Midwesterners. (He was raised in St. Louis.) For all the mainstream “dontcha know” and “whelp!” jokes that are supposed to underscore some sort of Midwestern innocence, Franzen has consistently hit back with a grimmer take, where repressed feelings are dangerously mixed with silent hatreds; add, too, the prevalence of drug use (think methamphetamine).

But this is not to say that Crossroads is a satire on Midwestern church families. The characters are going through genuine moral crises. Treating them with care, Franzen makes their respective anguishes real.

Maybe all too real for this reviewer. Make no mistake, Franzen is in top form as his intellect fully surrounds the characters he builds and then topples. Make no mistake, too, you feel the characters’ plight. Franzen’s writing makes sure of that. It’s as though you’re lying down on the grass on the most pleasant of days, hands behind your head, watching the clouds pass by for hours. It’s gorgeous in its own way, with its grand unfurling. But every now and then you come across a thunderclap that emphasizes the devastation. Here’s Clem asking Russ: “Do you have any idea how embarrassing it is to be your son?”

Readers of John Updike will perhaps be reminded of In the Beauty of the Lilies, a gorgeous multi-generational novel, where the reader sees how one decision made by one person from one generation affects the next. There’s certainly an Updikean feel to “Crossroads.” However, here, the family members live their lives in one uneasy swirl and it’s an unnerving slow bleed (albeit humorous at times).

Apparently, Crossroads is the first of a planned trilogy entitled “A Key to All Mythologies.” (Readers of George Eliot’s Middlemarch will probably recognize the reference.) Knowing this, I’ll possibly give the second volume a go. For while I found Crossroads wrenching, there is hope for the Hildebrandts.

There’s plenty of hurt that results in various family fissures, yet they don’t give up on each other. Plus, Russ finally sees it: Sometimes we err and err badly, but we keep trying. “Turning and turning,” he says. “Until by turning and turning we come around right.”

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Six Mystery/Thrillers that Take You Places

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My reading over the last few weeks has taken me to a lot of different locations. I spent some quality time in Colorado before a brief stop in Washington, DC led me to Texas. Then I made a mad dash through Peru, Costa Rica and the Caribbean. My next stop was North Carolina before a stay in Sydney, Australia.

In some places I caught up with familiar characters, in others I got to know ones I’ve met briefly before, and for a few I was able to meet new personas.

Margaret Mizushima took me to Colorado in her Timber Creek K-9 mystery series. This series was recommended to me by a fellow mystery reader who thought I would like it (Thank you, I do!). Mattie Cobb and K-9 partner, Robo, are introduced in Killing Trail. Robo was bought for the sheriff’s department to help with a growing drug problem in Timber Creek. On the pair’s first assignment he proves his skill goes beyond drug detection when he discovers the body of teen. This series has a lot going for it with good character development, a complex heroine with a troubled past, a mountainous setting, and most importantly the relationship between Mattie and Robo and how they work together. I’ll be back in Colorado again soon.

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Lucas Davenport in the Prey series by John Sandford is one of my favorite characters. His adopted daughter, Letty, was introduced in Naked Prey and is mentioned or makes brief appearances in most of the succeeding Prey novels. In The Investigator she takes the lead. The 24-year old Stanford grad is talked out of leaving a boring job by her boss, Senator Colles. His plan is to make her a researcher with her first assignment to work with Homeland Security to find who is stealing oil and for what purpose. Joined by DHS agent John Kaiser they leave DC for a brief stop in Oklahoma before the trial leads them to Texas. This is Sandford at his best as Letty and John piece together clues and follow the oil and the money. With plenty of action and smart dialog this one was hard to put down.

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The Recovery Agent features Gabriela Rose, Janet Evanovich’s new heroine. First introduced in a Stephanie Plum novel, Gabriela has mad skills and uses them to locate items and investigate fraud for insurance companies and private clients. However her current case is for family. Grandma is convinced Gabriela is a descendant of Blackbeard and they possess a map that will take them to the Ring of Solomon. If she can find it, they can save their hurricane ravaged town. The map however is in the home of her ex-husband, Rafer, who insists on being part of the quest. This novel is pure entertainment as the adventure goes from Peru and Costa Rica to the Caribbean then New York City and back to South America. It has a truly creepy bad guy and funny sidekicks. Though divorced there is still a spark between Gabriela and Rafer with plenty of witty banter. If you are an Evanovich fan, you don’t want to miss this one.

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After all that excitement I settled in to catch up with the ladies in the Secret, Book & Scone Society. Nora’s book store in Miracle Springs, NC is the gathering place for the 4 friends-Nora, June, Hester and Estella. In this 5th book in the series, Vanishing Type, three of them are helping Hester’s beau plan a romantic scenario for proposing. But Hester has a secret and before she can share it an unidentified man is found dead with an old book is his pocket. Then a book in the same series shows up in Hester’s bakery and Nora finds another in a box in her storeroom. What is the significance of the series of books? Is Hester in danger? Despite the intrigue I felt like I was catching up with old friends. Their lives are evolving with each new book in the series.

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Apples Never Fall by Liane Moriarty is a book I checked out because it was recommended to me by a friend. After 20 pages I thought why did she think I’d like this? After a few more I was hooked. The Delaneys of Sydney Australia were a tennis family. Stan and Joy ran a successful academy and all 4 of their children were gifted players. Now they play recreationally or not at all but tennis still seems to dominate their lives. The story is told in the present where Joy is missing and in the past when a young woman, Savannah, shows up at Stan and Joy’s home needing help. In the present the police and even his children believe Stan is responsible for Joy’s disappearance. He feels guilty about something and he’s not talking. In the past, where Savannah seems to take up permanent residence in their home, is where it starts to unravel. The urgency of Joy’s disappearance is dimmed because she is so often seen in the past. But this book is about so much more than the mystery of what happened to Joy. It’s about family, how the past shapes the present and how the smallest things can make all the difference. Hint: keep this book in mind for the Summer Reading Program starting on May 31st. This title will work for one the adult challenges.

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Space Opera by Catherynne M. Valente

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SPACE OPERA by Catherynne M. Valente is a book so up my alley that I put off reading it for years because I was afraid it couldn’t live up to how amazing it sounded. I can tell you now that I was wrong.

But before I tell you about the book, let me ask: have you heard of Eurovision?  It’s an annual song contest that the nations of Europe have been putting on since 1956. Each country brings a song and performs it live, and the entire thing is broadcast on TV for the viewers at home. Sort of like the Olympics for pop music.

SPACE OPERA is Eurovision, but in space.

Decibel Jones – former front man of the one-time super-group Decibel Jones and the Absolute Zeros – is asleep in his tiny London apartment when he is visited by an electric blue flamingo creature claiming to be from another planet.

The creature is called an Esca, and she has come to Earth with a somewhat threatening invitation.

She explains that all of the known sentient species in the universe come together annually for a song contest. They play whatever they have for instruments and sing with whatever they use to produce speech – be it a mouth, a trunk, or a hollow melodic rib cage.

All species who have developed the capability for space travel are required to send a representative to the contest. Meaning that Earth must now participate. And as a race applying for intergalactic recognition of their sentience, they must place better than dead last.

If they come last, they will have proven they are not sentient, not able to coexist with the other species, and their entire race will be wiped out – in order to protect the other races from the threat of a non-sentient species wreaking havoc on everyone else.

The Esca explains the stakes to Decibel, and every other human on the planet simultaneously. She then presents humanity with a list of performers that have the best chance of succeeding in the Metagalactic Grand Prix. At the very bottom of the list: Decibel Jones and the Absolute Zeros.

Next thing he knows, Dess finds himself and his ex-bandmate, Oort St. Ultraviolet, onboard a starship headed for the Metagalactic Grand Prix, with the fate of the world on their shoulders.

The two of them must write and perform a new song that will appeal even a little bit to a panel of intergalactic judges, while rubbing elbows with unusual beings from across the universe.

SPACE OPERA is so much fun to read. Valente mixes in a lot of humor and heart into her story of impending global destruction. Readers get glimpses into what people back on earth are experiencing as they watch the Grand Prix and glimpses into Dess’ childhood, as a kid dancing around in his grandmother’s scarves and a teen designing his first stage outfit from the thrift store bargain bins.

From their conception, Decibel Jones and the Absolute Zeros were decidedly glam. They were a mid-2000s British pop sensation that burned briefly, but brightly.

The three members of the band, Dess, Oort, and Mira Wonderful Star, were a world all their own. Until Mira died tragically years ago. Without her, and with the band already falling from the spotlight, Dess and Oort didn’t have a reason to keep going. Dess made a go at a solo career, and Oort got married and had two kids.

Decibel Jones is Arthur Dent meets Lady Gaga; he’s a stranger out in the galaxy, but he tries very hard to treat everything with the practiced disinterest you expect from a rockstar. And if you don’t like Dess, then you will like Oort, who is the epitome of steady – the rock that kept the Absolute Zeros together while they lasted.

Valente has presented an excellent example of my favorite kind of science fiction, the kind that has gone out to space to have fun. She has taken cues from The Hitchhiker’s Guide to the Galaxy, which is the gold standard funny sci-fi book.

Valente dedicates paragraphs to the history of an alien species or the peculiarities of its home world – a convention that Douglas Adams used liberally in Hitchhiker’s. Her story is brief, but the world she has built is populated with so many interesting characters that SPACE OPERA has only just scratched the surface.

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Ready, Set, Cook: How to Make Good Food with What’s on Hand by Dawn Perry

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I usually leave reviewing cookbooks to the talented Lisa Brown, who has a much more worldly palate than I, but I have checked out “READY, SET, COOK: HOW TO MAKE GOOD FOOD WITH WHAT’S ON HAND” at least once a month since we added it to the collection in December, so I just had to share my enthusiasm for it.

DAWN PERRY, the creator of this cookbook, is a genius. Simple, delicious foods that you can make with items you have on hand. I have found only one other cookbook that I think accomplishes this well. I am sure there are more, but my pantry and refrigerator staples are usually pretty limited. I hate finding a new recipe I want to try, but I need to buy two new sauces and five new ingredients, all of which will sit in my pantry or in my refrigerator after I have made the new dish and just take up space. Not the case with “Ready, Set, Cook.”

Easily laid out and not overwhelming to new or less than enthusiastic cooks like me, the book has three sections. Part One: What to Buy; Part Two: What to Make; and Part Three: What to Cook. They are each colorful, with many pictures and large clear fonts that help draw the reader in. Perry has a casual way of writing that includes loads of tips and tricks.

In part one, she talks about where to start, what to stock and how to organize it. I had most of the items that she recommends as cupboard staples — oils, rice, onions, garlic, pasta, beans, dried spices and honey — and all but a couple of the refrigerator staples. She finishes the chapter talking about organization and equipment.

In part two, her focus is building a collection of homemade staples for your pantry and refrigerator. This includes how to make meatballs, flatbreads, pie dough, sauces and cooked vegetables.

I did not spend much time here — just read through quickly, as I wanted to move on to part three to see what I could manage to whip up for breakfast or dinner.

Part three is mapped out in this order: breakfast, salads and veggies, starchy sides (my favorite kind), main things, afterthoughts, snacks and a couple of drinks, and sweets. I love the versatility of Perry’s recipes. She gives you a recipe for things such as muffins, yogurt parfaits, salad, bread and boiled potatoes, but then provides five variations for each one to easily mix it up.

The Afterthoughts section is devoted to lessening food waste. According to Perry, “leftovers need to be made over.” I love this idea. I made the “Office Bowls” from this section. They are, at their simplest, grain or rice bowls with a few veggies and dressing, but so easy to put together that most anyone can handle it using leftovers and pantry or refrigerator items. Plus, there are six variations and the photographs are so helpful in visualizing what you are making.

Speaking of the photographs, this is my favorite element of the book. Large, colorful images that showcase the food. But unlike some cookbooks they do not feel overly staged or complicated. A simple white plate with food on it, sometimes arranged less than neatly, is the highlight.

I highly recommend this cookbook. Especially to anyone who is busy but still wants to put together a home-cooked meal. Perry has done much of the heavy lifting here. She has created and shared 125 recipes that will hopefully make your mealtime more streamlined and your palette happier.

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The Starless Crown by James Rollins

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James Rollins has a bit of a reputation. The dude’s been writing action-adventure novels since the late 90’s–some of which you might have even heard of (think, Subterranean or the novel adaptation of Indiana Jones and the Kingdom of the Crystal Skull). His Sigma Force series establishes him as a bonafide “master of the [thriller] genre” (according to BOOKLIST). Labeled by many as Michael Crichton’s “heir apparent” to the techno-thriller throne, Rollins has made quite the career of writing science-based, suspense-laden tales of mystery and reveal. Yet, thine truth easily forgotten is the tale of how this thriller-king forged his path into the literary realm (note: that was a bit of foreshadowing, not just an awkwardly phrased, archaic rhetoric of sorts). About a year before Subterranean hit the presses, Rollins published his first novel, Wit’ch Fire, under the pen name, James Clemens (which adds another layer of interest and mystery, as Rollins is a pseudonym as well). This was the first of a series, The Banned and the Banished. Now if the suspense is killing you (ba-dum-ching), I’ll go ahead and make the big reveal. Rollins got his start writing fantasy. (Well, he actually got his start by being a successful veterinarian, but that’s a whole other lead-in that we don’t have time for.)

In his latest entry, The Starless Crown, James Rollins introduces his readers to the fantastical planet of Urth (go ahead, pronounce it the same way you do your own planet). Set between the uninhabitable polars of a frozen tundra and a fiery desert is “the crown”–a land filled with all of the political, religious, and academic tropes a die-hard fantasy reader yearns for (myself included). To put it another way, there’s a school. Governing authorities are pulling most of the strings that are connected to this school (or at least, they think they are, due to the inclinations of a wise head master of sorts). Within the curriculum taught at the school, there’s a heavy emphasis on the merging of myth and science–as if the two are connected somehow. All of this mystery and apparent-string pulling sets the stage for our primary protagonist, Nyx.

Nyx is interesting. She’s almost blind (a cloudy haze covers both eyes, making it nearly impossible for her to see most objects). She’s a sharp, bright student that is advancing through the ranks of her school, which is hard to do as each new rank is preceded by a culling of sorts (don’t worry, it’s not the type of culling that leads to death, just the kind that says “get out of here, we don’t want you anymore”). Yet, as she advances, so does the mystery surrounding her. You see, her classmates are mostly made up of the high-born populace (i.e., those with enough money and status to use hyphenated words on the regular). Nyx, however, was raised by her adoptive father and his two sons, who happen to live in a swamp. Even in the crown, high-borns look down upon swamp-borns (we totally just made “swamp-borns” a thing). Here’s the kicker, though: Nyx wasn’t actually born in the swamp. Until the events of this story begin to unfold, nobody–not even Nyx or her adoptive family–knows where she came from. As her da’ (adoptive father) tells it, “it’s as if she just fell from the sky.”

See. This is fantasy 101. Rollins knows what he’s doing.

To whet your appetite just a bit, allow me to set the stage. I don’t want to spoil anything for you, thus the “just a bit” phrasing.

You already know about Nyx. Again, she’s interesting, but it’s the “absolutely great” type of interesting. She’s a very likable character. Paired with Nyx is her friend and Cloistery assigned “tutor”, Jace. Now, “Cloistery” is the name of the school mentioned above. Naturally, Nyx attends this school and Jace used to (before he was non-lethally culled from it). Jace is Nyx’s tutor in that he helps her read and get around, due to her visual impairment–he is not a formal tutor, as Nyx is more than capable of managing her own academic pursuits. Eventually, the pair escape the confines of the Cloistery, not because they don’t like it, but because of a series of events that leads to (a) Nyx regaining her eyesight, which in turn leads to (b) her discovery of a secret connection with a monstrous race of giant, winged, bat-like creatures, thus leading to (c) her receiving a vision (from the bats–or, Myr bats as they’re referred to) that foretells the damnation and destruction of Urth.

Now, here’s the cool bit. Every aspect of the story I’ve mentioned thus far is all about Nyx and her backstory. Yet, as her story continues to develop, so does the character count. Specifically, the primary character count. In addition to Nyx, Rollins sprinkles in three other main characters, each having a supporting character or two (i.e., each having a “Jace” or two). This allows for Rollins to employ a multi-perspective narrative, as each section of the book is told via the perspective of a different main character than the last section was. Not all readers enjoy this style. So be forewarned if that’s you.

Alongside Nyx and Jace, readers discover a variety of character profiles. Not far into the story, Rollins introduces Rhaif, a thief who breaks out of a prison-mine after finding (and stealing) an ancient artifact that might just be my favorite character of the entire book (yes, I just called an artifact a character–that’s the only spoiler you’re getting here).  Next, Rollins introduces Kanthe, a dejected, displaced prince of the realm, due to him being born mere minutes after his older twin brother, and the fact that his father–King Toranth of Azantiia–is flat out jerkish. Kanthe and his tutor, a powerful alchemist named Frell, are thrown into Nyx’s story by either mere happenstance or fate–the latter of which seems improbable to Kanthe, as his sense of self-worth is, at best, lacking. The final character that makes up Rollins’ alliance of vagabonds is a disgraced warrior, who after years of banishment due to a crime of passion, finds himself re-entering a land he swore to never come back to, whilst re-entering a story he thought concluded–Nyx’s (okay, that’s for real the last spoiler).

So, to recap. This story is about a child of destiny protected by a group of outcasts–a prince trying to discover who he is, a thief with more scruples than he’d care to admit, and a legendary warrior wrestling with the demons of his past–in order to avoid (or set into motion) the end of the world. Again, fantasy 101. Throw in some magic, other-worldly creatures, and a villain we all want to punch in the face (even those of us who don’t actually know how to punch people in the face), and this story quickly becomes a satisfying entry to an already full genre.

This book reads like a Robin Hobbs, Terry Brooks, or Mark Lawrence piece–concise, clear vision, and excellent word choice. So, if you like these writers, this might be the book for you. While Rollins’ world building is solid, it’s not quite on par with Robert Jordan or Brandon Sanderson–which might be a good thing, since as of now this is planned as the first of four books (i.e., it takes a few more books than that to build the types of worlds Jordan and Sanderson have created).  Rollins’ prose and pacing remind me of George R. R. Martin and R. F. Kuang, as this book builds steadily, while giving a lot of attention and detail to action sequences and dialogue more so than other facets of character development.

By and large, this is a great re-entry for Rollins. One can tell that he’s familiar with the genre, and that he’s more than capable of producing quality content that will keep his readers coming back for more. If you’re a fan of fantasy or even just a fan of Rollins’ other works, this might be right up your alley. If you’re looking to get into the fantasy genre, this is a great entry point. You can pick up a copy to borrow at the Joplin Public Library. It can be found in the new fiction section as you enter the lobby.

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